Robinson Crusoe & Vanessa Mae - A Classic Challenge September: Music

When the September prompt for A Classic Challenge was published in Katherine’s November’s Autumn, I was skeptic that I would be able to post it this month, the prompt is…

…to select a piece of...

Music

...that you feel reflects the book. Modern, classical, jazz, anything, it doesn't have to be from the period of the novel but share what it is about the piece that echoes the novel in someway.

Well, that was hard because I’m not a big fan of music, though I have quite a lot of CD collections. I can’t imagine what music would reflect Gone With The Wind or Robinson Crusoe—two classics that I’ve been reading this month. However, not long after I have finished Robinson Crusoe—and the rescue scene was still lingering in my mind—one of Vanessa-Mae’s songs suddenly echoed in my ears. It was Contradanza, one of my favorite of hers in my ‘The Violin Player’ album.

I knew instantly that that song would perfectly reflect the emotion of the rescue scene in Robinson Crusoe. It was when Friday first saw three canoes approaching the island, then told Crusoe about it, who instantly arranged an ambush (with only two of them!). The process, how he was agitated to see the strangers and wanted to fight and kill them, how he armed himself and Friday and marched together to the beach; but on the way he reflected that he did not have the right to act as judge by killing them; then after seeing that they were to kill the prisoner, decided to attack them. Then finally the battle scene began…and oh…how all of those made my heart pounding so hard!

This is the song, what do you think? Does it reflect the heroic battle scene? 

And this is how the energetic Vanessa-Mae played this song in one of her concerts. I love her performance!

Vanessa-Mae (Vanessa-Mae Vanakorn Nicholson) was a British violinist who was born in Singapore, from a Thai father and a Chinese mother—a semi-professional concert pianist. Her music style is self-described as "violin techno-acoustic fusion", as several of her albums prominently feature the techno style. She began playing piano at the age of three and violin at five. At ten she joined the Philharmonia, and at twelve she joined the London Mozart Players in Mozart Bicentenary.