Showing posts with label Elizabeth Fair. Show all posts
Showing posts with label Elizabeth Fair. Show all posts

Friday, May 29, 2026

Bramton Wick (1952) by Elizabeth Fair



 
πŸ’™ I still find it quite hard to believe that Bramton Wick was Elizabeth Fair's debut novel. It doesn't feel amateurish the way she had interwoven so many characters into one coherent story. Bramton Wick is an English rural country side, the setting of this cheerful slice-of-life story in the aftermath of WWII, where ration coupons were still in use, and fuel is a luxury. Fair opened this by introducing her characters, bringing us from one cottage to the mansion; from one family to other residents. As usual, there is a healthy mix of eccentricity and pompousness to spice up the plot. First there's the pompous Lady Masters with her son Toby, who was tyrannized by his mother; then the Coles who've been living in Lady Masters' house before moving to a humbler place - Mrs. Cole lives with her daughters: war widow Gillian and the dreamy Laura.

πŸ’™ Next, there's the Misses Cleeves, whose poverty doesn't diminish their dignified place in Bramton. But, when they are quite dull (excepting Pussy-the-gossip-monger), there are the other spinsters who're more interesting: Miss Selbourne and Miss Garret, who had first met when they drove ambulances during the war, and now live together as dogs breeder. Besides those spinsters, we also have two middle-aged bachelors living in Bramton Wick to balance the equation (and to create one or two love-is-in-the-air situation). A young man called Jocelyn (Isn't Jocelyn a girl's name? It is where I live) was added to the mix, being a nephew of a Major Worthy and his wife. 

πŸ’™ At first it seems we don't have any definite plot. Just the interaction of these people and several events, like a dog show, which create the usual stir in a small village. But later on I realized that it is centered, at least, upon one family. And the issue that bind the whole story together is romance. The characters are mostly amiable, each with his or her own eccentricity; and they were nicely portrayed. The little village dynamic is plausible and felt as charmingly as one would expect in this kind of story. My only regret is the abrupt manner which Fair ended the story. I realize that this is called slice-of-life story for a reason. However, I would prefer to get a slightly more neatly tying-up of the many lose ends of every character. Or perhaps, just the one other than the main character. I mean, it's such ashamed to waste the entire characters to focus only on one of them, isn't it? But on the whole, this is just the perfect comfortable read to close a day.

Rating: ⭐⭐⭐⭐

Monday, December 22, 2025

Landscape in Sunglight (1953) by Elizabeth Fair #DeanStreetDecember25




πŸ’š Landscape in Sunlight is my second read of Elizabeth Fair. The first one, A Winter Away (read last year for #DeanStreetDecember24), was not a favorite, and I'm glad I haven't bailed her out completely, because Landscape in Sunlight is much better and delightful to read! It's a slice-of-life type of novel, concerning residents in a small village of Little Mallin. Four families are at the center of the story. There are Edward Custance (the dreamy vicar); his wife Amy whose concern is for her daughter to marry well; and the daughter, Cassandra, who works as governess for the Templers'. The Templers consist of the eccentric Eustace Templer, a 'retired' artist who lives in Prospect House, and whose concern is to get rid Prospect Cottage (also belongs to him) of its current tenant, a Mrs. Midge, a recluse who dotted on her only son, and her 'delicate' artist son of Lukin. 

πŸ’š Completing the Templers household are Mrs. Templer and the children: two orphaned nephews (one of which is Cassandra's pupil), and Lily, the adolescent girl who's starting to wear lipstick, and whose current preoccupation is to "rescue" the 'genius' Lukin from his mother's clutch. Then there's Colonel Ashford, or Uncle Henry Templer, to whose benefit Eustace wants the Prospect Cottage for. Last but not least there are Sir James Brigham and his son George, who live in the Hall, and who're having trouble to control their servants.

πŸ’š When spring turns to summer, there are a lot of things happening. A holiday for Mr. and Mrs. Custance is arranged by Sir James (who feels responsible for his vicar's well being, and knows that they couldn't afford one), but is in reality funded by George. Then there are tennis parties which are Lily's and Cassandra's scheming to 'rescue' Lukin - the latter feels it's time to be independent, but don't know how to - and an eventful picnic. On the top of it all is the Church FΓͺte, or the Day, as people call it, organized by Amy Custance. Along the preparations, a romance is burgeoning of two young people who had been separated over misunderstandings, and the budding young artist is looking towards his starting career.

πŸ’š Amidst all that's happening among those four main-characters group, Fair did not forget to throw in some secondary but none the least colorful characters, like the two middle-aged spinsters Misses Fenn - nicknamed Fizz and Pop - who live near the toll bridge that connects Little Mallin with the bigger market town of Mallinford. Their 'strategic' location enables them to rush out of their house to 'talk' to whomever is pulling up at the toll (that's how they become up-to-date with every village rumours). All in all, this was a charming and delicious story of a quaint busy summer life in an English village. Just the kind to warm and cheer you up during the hustle-bustle of December.

Rating: ⭐⭐⭐⭐1/2


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Wednesday, December 18, 2024

A Winter Away (1957) by Elizabeth Fair #DeanStreetDecember




πŸ’œ Maud left her overbearing stepmother to stay with her relative in the countryside: cousin Alice and her companion Miss Conway or Con. Her cousin had arranged a job for Maud, as secretary to an old eccentric miser: Mr. Feniston, or Old M.

πŸ’œ Maud herself is a shy and 'delicate' girl. The kind that unfortunate incidents often befall onto. I think the center of her problem is her stepmother; she grew up lacking of confidence, and this makes her shy. Maud is actually a quite smart girl, albeit naive, and competent secretary.

πŸ’œ Settling into her new job, Maud begins to meet more interesting characters. Charles and Oliver Feniston are the most important, as they provide possibility for romance. At first Maud was more drawn to Charles, the son in exile, so to speak. Old M had quarreled with him, and broke the relationship. The temperamental Oliver seemed to be Old M favorite, though he couldn't seem to stay for more than a few days until another quarrel would break.

πŸ’œ The love plot is dragging on until almost the end. It's funny but sometimes frustrating how Maud is struggling to recognize her own feeling, and what's really happened. However, the second characters (and their background stories) are mostly interesting. From the jealous Con with her mischievous pranks aimed to the unwitting Maud, to Maud's friend Ensie with her selfish father to her love of a vicar lover. It should have been a totally charming book, but it gets rather boring near the end. And the end itself felt rather too abrupt and less neat. But in general, it's a warm and comforting story.

Rating: ⭐⭐⭐1/2

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Dean Street December #DeanStreetDecember