Friday, May 22, 2026

The Golden Collar (1968) by Elizabeth Cadell



 
๐Ÿ’š My first ever Elizabeth Cadell brought me to Portugal with delight. It follows David Eliot, an architect who grew up in England, but has inclination to live in Brazil. But before he got chance to secure his career in Brazil, he was offered a job in Sir Bertram's establishment. Sir Bertram is a wealthy and powerful man; the kind who always get what he has set to get, either with money, or cunning. David first got entangled in the bargain by Marly Tranter, Sir Bertram's daughter, a beautiful but overbearing girl who inherits her father's personality. In the end, with a perfect engagement and a promising career, David was stuck in a place where, he slowly realized, he might never fits in; and to get there, he had to sacrifice everything he loved, especially his freedom. Hence, the golden collar - including the chain - had been set upon David.  

๐Ÿ’š Sir Bertram sent David and Marly to Portugal to secure a deal over a property, set in a strip of beautiful and secluded beach in the Algarve region. It was to be the couple's wedding present; so in this case, David would have added interest in accomplishing his mission. The property belongs to a highly respectable widow amongst her people, whom they called Senhora Silva. To foreigners, Senhora Silva seems to be an eccentric woman, who refuses wealthy foreigners who offer her big money to buy her property, while she herself is living in a dilapidated big house. The truth is, Senhora Silva is weary over the foreigner's harassment upon her peaceful existence. She dislikes these noisy boisterous tourists who arrive in their beautiful country to buy land and build holiday villas, where they would only live in few months of the year. In the process, they would change and ruin the country. Hence, her decision to close her door, meaning, refusing of selling. But Sir Bertram and Marly interpret Senhora Silva's closing door to merely a business haggle - it's impossible for any person to close their eyes over so much money (and Sir Bertram has that much). ๐Ÿ’š While trying to carrying out the task, David slowly comes to his senses about his engagement with Marly, as well as his position in the Bertrams. All this thanks to some of his new acquaintances who saw it before David is certain about his position. These new friends of him are including an American wealthy businessman who doesn't look one, an eccentric and bossy elderly woman, a Portuguese lawyer of Sir Bertram, and the elusive Senhora Silva herself - whom David eventually meet, causing astonishment to everyone. But most importantly, there's Teresa, Senhora Silva's niece. Teresa is the opposite of Marly in every way, and here we can see how David and Marly are very unsuitable from the beginning - how men can be thus deeply disillusioned, I will never understand. The rest is needless to say here, but although the plot is predictable, the process and the rough beauty of this Portugal coastal village are the main attraction of this book. Not mentioning, the lovely characters of David, Teresa, the demurred Senhora Silva, and even the dear Mr. Easter (the wealthy businessman). ๐Ÿ’š On the whole, this book feels light, but with a bit of depth in it also. For Senhora Silva and Teresa, money and wealth does not mean anything. They created a crรจche facility for local young children in one of the Quinta do Infante (Senhora Silva's house complex) buildings. And this, as well as taking care of stray cats, apparently gave Teresa immense happiness, a wholesomeness in her life, that she decided to stay in the Quinta forever. In time, David too, is attracted with the serene and peaceful atmosphere of the place, and, of course, of the girl he falls in love. There's some funny moments too, usually involving Mr. Easter, what a dear old man he is! In short, I love everything about this book, and would certainly read more of Elizabeth Cadell in the future! Rating: ⭐⭐⭐⭐1/2

Wednesday, May 20, 2026

Fell Murder (1944) by E.C.R. Lorac

 



๐ŸŒพ The 24th instalment of Lorac's Robert Macdonald series, which combines murder mystery and the charm of farming village in the English countryside of Lunesdale. As usual with these stories, it runs a very slow pace. Robert Macdonald, the C.I.D, didn't even appear in about the first forty percent of the story. The story begins with some kind of reunion. Richard Garth has left his home, Garthmere Hall, in the moorland (fell) some nineteen years ago, over a big quarrel with his tyrannical father, now eighty years old Robert Garth. Richard met secretly with the Garths' bailiff. He just wanted to see again his beloved land, without seeing his family, in particular the father whom he hates.

๐ŸŒพ The story then moved to Garthmere Hall, where we met the rest of the household: Marion Garth - the eldest daughter who loves farming and has been running the business alongside her father; Elizabeth Meldon - the land girl who helps around with farming; Charles Garth, Marion's brother who's just returned from Malay and who loathes the hard labor of farming; and Malcolm, the youngest son who's physically weak - a weakling who loves poetry more than farming. One morning, an accident involving a gun shot almost took Robert Garth's life. The gun belongs to Marion, and it shouldn't have been loaded. Who had loaded it, and why? Then on a hunting day, when the whole neighborhood carrying and shooting guns, Robert Garth was found dead, shot on his back. ๐ŸŒพ At first, the local Inspector investigated the murder. However, his abrupt and straightforward manner didn't suit the slow pace rhythm of the dale, and he got nowhere. That's how Chief Inspector Robert Macdonald from Scotland Yard at last entered the scene. He begins by gaining respect and trust from the dales people, in the way of blending himself to the farming life. The dales people usually talk about the weather, and the farming, the crops etc. before finally get to the point. This Macdonald follows by instinct. And only then that he begins collecting clues and proofs. It's quite clear from the start that this was a closed-knitted family mystery (despite the fact of the hunt day, which might include outsiders). Now, who has the chance and motive to murder old Robert Garth, who had been ruling both his family and his farm with iron rod, and thus universally despised? ๐ŸŒพ Needless to say that, as was with all Lorac's books with similar theme, this one has been a satisfying read for me. The slow pace was comforting, rather than annoying, as it enabled me to taste the farming life, and to get to know each character more closely. My favorite here is Elizabeth Molden - the passion which drives her hard working is pleasant to follow. Marion is also remarkable in her own passion, but she is nevertheless member of the family, who thus, has a direct interest to the farm's prosperity. But Elizabeth is an outsider, and to work for other people with that kind of passion is something one ought to be much grateful for. The plot itself is plausible. I have guessed the murderer without trouble, from their character traits, if not from their conversation. What a pleasant murder mystery to read, but only if you have penchant for slow living or farming. Rating: ⭐⭐⭐⭐
Read for:

Cloak and Dagger Reading Challenge 2026 hosted by Carol @ Carol's Notebook

Monday, May 18, 2026

20 Books of Summer 2026 and Reading the Meow 2026


Hooray to the return of two of the most anticipated yearly reading events for me! First is 20 Books of Summer 2026, which will be hosted by AnnaBookBel. She's going solo this year, but this reading event, which runs from June to August, was started by Cathy, then continued by AnnaBookBel and Emma last year. Also make its return in June, Reading the Meow 2026, hosted by Mallika. I have almost given this one up, thinking that Mallika was perhaps too busy to host, but I'm very grateful that she's just announcing it a bit later than usual. Anyway, here's the list of my possible reads:

20 Books of Summer 2026



1. The Guest Cat by Takashi Hiraide (2001) - also for #ReadingtheMeow2026
2. The Travelling Cat Chronicles by Hiro Arikawa (2012) - also for #ReadingtheMeow2026
3. To Fetch a Thief by Spencer Quinn (2010) 
4. In the Shadow of Man by Jane Goodall - also for my #Reading1971 5. A Secret Garden in Paris by Sophie Beaumont (2024) - also for #ParisInJuly 6. Murder on Wheels by Stuart Palmer (1932) 7. A Walk Across France by Miles Morland (1992) - also for #ParisInJuly 8. The Hidden Gardens of Paris by Susan Cahill (2012) - also for #ParisInJuly 9. French Windows by Antoine Laurain (2023) - also for #ParisInJuly 10. The Carter of "La Providence" by Georges Simenon (1931) - also for #ParisInJuly 11. When the Cranes Fly South by Lisa Ridzen (2024) - also for #WITMonth 12. Cider with Rosie by Laurie Lee (1959) 13. Mr Kato Plays Family by Milena Michiko Flasar (2018) - also for #WITMonth 14. Much Dithering by Dorothy Lambert (1938) 15. One Fine Day by Mollie Panter-Downes (1947) 16. The Narrowboat Summer by Anne Youngson (2020) 17. Murder at the Spring Ball by Benedict Brown (2021) 18. Three Bags Full by Leonie Swann (2005) 19. An Afternoon Walk by Dorothy Eden - also for my #Reading1971 20. Dear Mrs. Bird by A.J. Pearce (2018)
Reading the Meow 2026
1. The Guest Cat by Takashi Hiraide (2001) 2. The Travelling Cat Chronicles by Hiro Arikawa (2012) 3. Paw Prints in the Moonlight by Denis O' Connor (2004) Of course, they are possible reads only, I might or might not read them (or adding new titles instead). it all depends on the availability of the titles when I pick the books to read, and, as usual, it also depends largely on my mood. Anyway, have you read any of those titles? And would you participate in either reading events?

Thursday, May 14, 2026

Murder at Mallowan Hall (2021) by Colleen Cambridge




✒️ Have you ever imagined what would happened if Agatha Christie were to deal with a real murder? Would she be as shrewd as the detectives she had penned, Poirot or Miss Marple? Well, this new series from Colleen Cambridge were to be as close as you can have to answer that. In this first book we were brought to Mallowan Hall, the fictional mansion of the Mallowans (Max and Agatha), and introduced to their housekeeper and amateur sleuth, Phyllida Bright, who was portrayed as shrewd and organized like Hercule Poirot. In fact, Poirot is Phyllida's hero. And of course, the first murder she's got to solve had taken place at Mallowan Hall.

✒️ The Mallowans was having a house party, and after a storm came just at the first night, another guest is gatecrashing the party: a journalist called Charles Waring. He was accepted upon the Mallowan's benevolence only, what with the storm and it's being late in the night. However, the next morning, when Phyllida entered the library, she found Waring's dead body, stabbed in the neck with a fountain pen (of all the weapon-to-be on the desk: letter opener, marble paper weight). The tragedy creates a havoc among the guests upstairs, and certainly among the staffs downstairs. And Phyllida, who hates disorder, believes it was down to her to solve the murder, without waiting for the Police Inspector to do so, so that everything could be soon back to normal, for her own, as much as for Agatha Christie's sake (she needed peace and order to finish her current book). ✒️ If you are fan to Agatha Christie, you would enjoy this book (and series). Not only that Phyllida Bright has passion of order and little grey cells almost as good as Hercule Poirot's, the sleuthing style itself is a homage to Agatha Christie's. I loved the building suspense before the second murder was about to happen, just like how Agatha Christie had often wrote. I loved also the Hercule-Poirot-denouement style - you know when he pointed finger to one suspect to make he or she squirmed, only to say next that he or she isn't the murder, until dramatically pointed to the real murder? Although Phyllida lacks Poirot's confidence and eloquent, it was amusing to follow nonetheless. But the greatest amuse for me, is perhaps how Cambridge made this murder as an inspiration for the Agatha Christie in the story to write her next book - you know, the body of a stranger found dead in one's library. If you're Christie's fan you would certainly know which book I'm referring to - hint: it's Miss Marple story. Another one is from Agatha Christie's conversation with Phyllida:
"After all, it was you who suggested a story with a victim who everyone thought was an accidental murder, but turned out she was really the actual target and had been killed by the supposed victim as a way to hide her villainy. That is still one of my favorite twist."

Now, I ask you, Agatha Christie fans, do you know which book that is?? No title, please, in case people have not read it!

✒️ I liked all the characters in this book. Phyllida is the most interesting; she lives up to her name: Bright. She has bright hair (fiery red?) and likes to wear bright-coloured clothes while out of work. Her relationship with Agatha Christie is similar to that of Florence Armstrong and Lady Hardcastle's in Lady Hardcastle series (another charming historical cozy mystery). Their friendship dated from their working together during the war. And so, to the outside world they are employer and servant, but in Agatha Christie's closed room, they are friends - although theirs aren't as liberal as Lady Hardcastle and Florence Armstrong's teasing and bantering, it's more of companionship of two people in the same level (they are Phyllie and Agatha between themselves). Phyllida and Christie usually talks about the case, and a little about Poirot and her books. It's not very surprising that Phyllida solved the murder all by herself, without any suggestion from Christie. ✒️ Another interesting character is Bradford, the chauffeur, a sardonic and surly man whose snorts on what Phyllida's saying annoys her greatly, but who had helped her a few times during the investigation. I'm excited to see where their relationship would go from here, and therefore cannot wait to dig into the next books in the series. All in all, this has been a delightful read - a cozy mystery with interesting characters, good portrayal of the downstairs lives of a manor house (imagine Downton Abbey), a nice plot twist with enough red herring, sprinkled with quite a racy motive, and styled similar to Christie's (which I believe, she would even have approved). If you love Agatha Christie, you'll certainly enjoy this series!
Rating: ⭐⭐⭐⭐1/2
Read for:

Cloak and Dagger Reading Challenge 2026 hosted by Carol @ Carol's Notebook

Monday, May 11, 2026

The Splendor of Ordinary Days (2015) by Jeff High



 
๐Ÿฉบ From the "ordinary days" in the title and the pastoral view of the cover, I have assumed that this novel would not be a far cry from James Herriot's All Creatures Great and Small or All Things Bright and Beautiful. Just replace the veterinarian with a physician, and move the setting from English countryside to American small town, and that's that. But there I was wrong. Once again, this reminded me to not judge a book from its cover; least of all, its title. 

๐Ÿฉบ Young Dr. Luke Bradford has just been settled in Watervalley, a small town in Tennessee. He had moved from a bigger town a few years ago, but up till now is still feeling like an outsider. At first the story begins with just... well... ordinary days of ordinary lives in a picturesque little town. I loved the banters between Luke and his.. uh.. housekeeper? Anyway, Connie cleans and cooks for him, so Luke could almost always expect to get a warm greeting from Connie and her sister Estelle (who are often welcomed their as visitor). Luke's interaction with his eccentric patients and townfolks are entertaining too - an elderly woman who drinks too much and a cantankerous old veteran and publisher of the local newspaper are only few of them, but the most intriguing ones are the Mennonites.

๐Ÿฉบ I honestly have not realized of the Mennonite's existence until now - I only know about the Amish. They are apparently slightly different in culture and manners, but they are all embracing the same philosophy. And as they first appeared in the story, I began to be apprehensive of what lays ahead. This book would have deeper layer than I have first anticipated. The first 'casualty' was between two young men's supposed 'fight', one of them is a Mennonite, the other is a local war veteran. And when Luther, the cantankerous publisher, decided to publish a story about it, not without slight prejudice against the Mennonite young man, it provoked the town to their long time prejudices against the Mennonites. Apparently, it's up to Luke Bradford to maintain harmony in Watervalley, the town where he grows to love, and where the girl he loves most, Christine Chambers, lives.

๐Ÿฉบ Throughout the story, we are entertained with the 'ordinary days' of living in a small town with its picturesque scenery, eccentric inhabitants, and the busy days of a doctor's practice. But they are all just the background. On the forefront there is the budding relationship of Luke Bradford and Christine Chambers - including the funny scenes of his planning a romantic proposal and the unexpected turn of event which might have thwarted the couple's bright future. But most importantly, there is also a dark secret looming beneath prejudices and old time enmity between two families. The part about war memorial, and particularly Luke's speech in the end, was very touching. And I loved the mixed of mystery and superstitious that lurked behind. It's really a heartwarming novel with unexpected depth.

Rating: ⭐⭐⭐⭐1/2

Friday, May 8, 2026

Remarkably Bright Creatures (2022) by Shelby Van Pelt

 



๐Ÿ™ Remarkably Bright Creatures is Shelby Van Pelt's debut novel. It tells the story of three characters; of their lives and struggles, and how their lives are intertwined with each other in unexpected ways. First of all, there's Marcellus. He's a giant Pacific octopus who lives - or being captivated, as he always calls his life - in a giant aquarium at Sowell Bay Aquarium in Washington DC. Marcellus is the star of this book, and he narrated his own story on every chapter dedicated to him. I listened to the audiobook version, and I always loved when the narrator, Michael Urie's voice as a grumpy old man boomed through my headphone: "Day one thousand three hundred and..... of my captivity" Well, Marcellus's narration never failed to captivate me too! ๐Ÿ™ The second best main character is Tova Sullivan, an elderly woman in her seventies, who comes daily to clean the Aquarium on night shifts. She's a widow, and has been struggling after her only son Eric (18 years old) vanished on a boat incident in Puget Sound thirty years ago. His body was never found, and the authorities were never sure what caused the incident (was it accident, or suicide?) Tova is certain it could not be suicide, but what really happened? That episode; the uncertainty of it, is always nagging at her heart, and she never gets her closure. Doing the cleaning at the Aquarium gives her joy and comfort, to at least cope with her current life. I loved how she always greets every creature at the Aquarium, like they are her children or pupils. Well, she's their guardian, anyway. But her most wholesome relationship is with Marcellus. Their bond is really heartwarming - an unlikely friendship between two creatures. It was remarkable how they communicated without ever understanding each other's language, but they understand each other so well, nonetheless. ๐Ÿ™ Last and, unfortunately, least, is Cameron Cassmore; a thirty-ish orphaned young man who was brought up by his aunt, after his drug-addict mother left him. He never knew who his father was, and so, when finding a college portrait of his mother with a boy, he assumed that he must probably have been his father. And so, driving a camper, Cameron is heading to Washington in quest of his (presumably) father. Not surprisingly, he got a job at the Aquarium, and working on a night shift when Tova sprained her ankle and couldn't work for a while. He eventually be friend with Tova, and of course, Marcellus. Cameron is a self-centered, spoiled brat and a crybaby, and I find no other quality to like him better. From start to end. Someone said in Goodreads review that he's warming up near the end, but I disagree. Cameron is simply an ass. And he ruined the whole story for me. Not that it's a perfect one. There are too many unimportant things and conversations scattered about. I found myself bored with these, and only Marcellus' (and occasionally Tova's when she's alone) line that lift up my interest. ๐Ÿ™ This book might have a brilliant premise - an intelligent and curmudgeonly Giant Pacific Octopus in his attempt to bring happiness to his favorite human. But the structure is not very neat. I feel I might need more of Marcellus' narration than the humans interaction. He's so observant and intelligent, that it was he, Marcellus, who first solved the mysteries that the humans are searching. I believe he's clever enough to tell the stories (half of it, at least) of the humans, only from his observation behind the glass tank. Anyway, I loved the beautiful friendship between Tova and Marcellus, and she had done for him at the end. Marcellus was a much better friend an elderly woman could find, rather than her friends from the knitting club - nosy old women most of them, and not necessary for the story. All in all, it's a beautiful story about friendship, family, forgiveness and acceptance. All it needed to be a perfect one is just a neater writing. Rating: ⭐⭐⭐⭐

Tuesday, May 5, 2026

The Nutmeg Tree (1937) by Margery Sharp




๐Ÿฅœ I think I have found in this book, my favorite (so far) Margery Sharp. The Nutmeg Tree (I loved the title too, though the said tree didn't have focal point to the story - it is an allegory). The story opens with a memorable scene in Julia's bathroom, she's taking a bath, singing the Marseillaise, while surrounded by "some of her possessions" - a table, a clock, and whatnot. The bailiffs were outside, taking some furniture out of the flat, indicating Julia's current hard-up-for-money situation. The cash she received from the furniture - after some rather flirty haggles - she needs it to travel to France, on her estranged daughter's invitation.

๐Ÿฅœ From that opening scene, we were instantly aware of Julia's type of character. The story is set in the 1930s. During WWI, Julia had married very young to a guy named Packett, it's a hasty wedding, which lasted just for a year or two. Packett died in the war, leaving Julia with their daughter Suzanne. But Julia couldn't live with the priggish and wealthy Packetts; they were opposite her Bohemian nature. So Julia left her daughter with them, and started her own life as actress and showgirl in London. The Packetts gave her some money - thinking that she can start a good life with it - but of course, it lasted only a very short time. Julia lived always in need of cash - which she always had by either a little flirtation or deceit - you know the kind. And now, suddenly she received invitation from Susan (she called herself Susan rather than Suzanne), to whom she never had any communication before, to give advice about the man she (Susan) wished to marry.

๐Ÿฅœ Excepting the opening scene, the story is set in a vacation villa in Southern France. Julia is now playing her yet biggest "role", a refined lady, worthy of her mother-in-law and her daughter. The whole story centered in Julia's struggle to maintain her dignity, while obstacle after obstacle threatened to expose her true character. The first obstacle came from Susan's lover Bryan; Julia soon found (in her dismay) that he is of her kind (but worse), and therefore won't be suitable for her daughter. Then, Susan's guardian, Sir William Waring, arrived, and left Julia to be on guard every second of her existence. Many comical scenes derived from the many adventures that came Julia's way, and in her struggles to appear graceful and poised. Margery Sharp did a wonderful job in portraying these, and in the process, we get to know Julia's genuine character which made people like her instantly. Well, people who cherished the good quality in her, despite of her unrefined outer manners. I, for one, loved Julia, and wished for her happy ending. ๐Ÿฅœ What can I say? I loved almost every aspect of this book. The comical scenes are brilliant; humorous but tender; the main characters - Julia and Sir William - are lovely and charming, despite of their flaws (Julia's in this case); and the plot is smart. The only setback for me is the inconclusive ending. You might probably know that I dislike hanging ending. I am 99% sure of the ending, but I still prefer a neat one from the writer. Although in this case, I understand Sharp's choice of the ending; it emphasized Julia's character perfectly - you would never know what she might of might not do the next second you leave her alone. Well played, Margery Sharp! Rating: ⭐⭐⭐⭐1/2