Rebecca is often considered Daphne du
Maurier's masterpiece. It's a perfect Halloween read - beautiful yet haunting.
I have read it for R.I.P. XIV, and loved it. As most likely you all have
read it, I’m not going to take the pain of summarizing it (and it’s difficult
to do so without throwing spoilers – if you haven’t read it – anyway), so, here
are my thoughts:
It
begins with the end
If you hate
spoilers, you might dislike this kind of writing style, in which the characters
told you what have happened in the past that they ended up in their situation
today. For me, it provides sort of certainty of how the story might end, which
I prefer, rather than always worrying whether this will end tragically or
happily. By knowing how it would end (except for mysteries, of course), I can
read slowly and calmly, savoring every moment of it. In the end I found it much
more satisfying. And so it was with this book. The heroine told us that she and
her husband have survived from a tragedy - something which has happened to
their lovely mansion: Manderley, and which they both desperately tried to
forget.
It's
about a woman without name, and a name without the woman
I was rather
annoyed, in the early chapters, as it seemed nobody ever mentioned the name of
the narrator! But in the end I think du Maurier did it purposely to highlight
the contrast between her and Rebecca - whom everyone talked about, found
everywhere, heard everywhere, though she was dead years ago.
Yvonne
(let's give the narrator a name, at least in this post, as I hate a nameless
character!) is timid, introverted and insecure young woman, working as
companion to a wealthy woman. Rebecca is her opposite in everything! She
married the owner of an estate, rich, bold, beautiful, sociable, powerful.
Those were the outside qualities any outsider would have perceived. But as a
husband, Maximilian de Winter knows better. Inside, the two women are also the
David and the Goliath in their hearts and souls. Rebecca is also wicked, selfish,
cruel, and without love. She reminds me of Cathy in East of Eden.
Yvonne is sweet, loving, innocent, kind, and tender,
if only you know how to love her, because she is, again, insecure. I can
totally relate to her, because I understand how to manage insecure people. My
dear mom is one. What they need, on top of everything, is love - they need to
be sure that they are loved. When you love them, and protect their privacy
(because that's what we, introverts, need most of all!), we'd see a brave woman
underneath the fragile appearance. Unfortunately the world still love outside
appearances better than inner qualities. And that's why introverts and insecure
people tend to be disliked and misunderstood, just because they aren't
sociable. They forget that these people, if you are willing to understand and
respect their silence and timidity, you'll see that their capability to love is
much bigger than the extroverts.
In this
story, only Maxim and Frank, the agent, it seems, who could really see Yvonne's
qualities, and understand her. From the very beginning I have had certainty
that Maxim married Yvonne purely for love. That he, alone, could see underneath
the plain appearance of this girl - while others would never, or with
difficulty, understand.
[credit: Gardenvista] |
Intelligence
vs innocence
What struck
me is, that the so called 'dim-witted' Ben could see the cruelness beneath
Rebecca's superficial charm, while others who were more intelligent, failed.
Apparently, being intelligent does not always prevent one from being shallow
and vain. On the other hand, I think innocent people use their feeling more
than their mind, in judging others' character. That's why Rebecca's charms
never deceived poor Ben.
And I loved
how du Maurier put Maxim's faith in Ben's hand. But, isn't murder still a
murder, be it done to good people or villains? Well, sometimes, evil can only
be stopped by violence. It's still wrong, of course, but I'd probably do the
same if I have had a soulless person like Rebecca - or Cathy - as a spouse.
The wicked housekeeper
No, I'm not going to analyze Mrs. Danvers' character here. She's purely as wicked (and more sick, perhaps) as her mistress. It's only that every time I read about her, it was Downton Abbey's Mrs. Hughes face that popped up in my head. I know that Mrs. Hughes is kind and wise, so different from Mrs. Danvers, but do you remember her face when she looked at Mr. Green (the valet how 'attacked' Anna Bates)? It's full of cold hatred and disgust; and it's that face which I imagined was on Mrs. Danvers' every time she saw Yvonne. Yeah, a Gothic castle which is haunted by it's evil mistress, and kept by a wicked housekeeper... there's enough of Gothic element there to make it a favorite Halloween read!
It has been
a delicious read for me, and I think I would love to return to it in the
future!
4,5 of 5 -
because I still hate any writer who doesn't name his/her narrator! :)
"It's about a woman without name, and a name without the woman"
ReplyDeleteThat's a PERFECT one-line summary. I read this many years ago and really enjoyed it (also, the movie with Joan Fontaine!).
Thank you, Marian. I didn't realized the irony until later when I was ready to jut down my thoughts.
DeleteI haven't seen the movie! Thanks for the rec!
First, I found it intriguing that a book would begin w/ it's ending; however, isn't that like a movie that begins w/ the tragedy, and then tells the story behind the story, going back in time? I do actually like those formats, but I don't think I've ever read a book like that. It would definitely work for me. And the plot sounds relatable, too. I'll add this to my wishlist.
ReplyDeleteExactly, Ruth, but usually movies do that to make a book more interesting when adapted to movie - like the latest The Great Gatsby? So, yeah, it's interesting to read a book like this. Hope you'll like it! :)
DeleteThe latest GG? Is there another one, or has it been so long that I forgot how the last version started?
DeleteI think your comparison of Rebecca with Cathy in East of Eden is spot on.
ReplyDeleteI read once that DMM boasted that she could create a story in which the hero gets away with murder, and she did. I always thought it was lily-livered of Hollywood to change the ending of the Lawrence Olivier movie so that Rebecca's death was purely accidental.