Judging Book by Its Cover: Jane of Lantern Hill (L.M. Montgomery)

Judging Book by Its Cover is a blog feature where I analyze book cover art, compare it with its content, as well as with covers from few other editions.

Jane of Lantern Hill

For L.M. Montgomery's Jane of Lantern Hill, I read the e-book version from Virago, published in 2014. I loved the modern cover art, with a little girl standing in front of a full-blossoming cherry tree, with a full moon in the background. It's a perfect portrait of this passage:

"She had crept out to have a good look at the full moon . . . Jane had her own particular reasons for liking to look at the moon . . . and the white blossoming cherry-tree over in the yard of 58. The cherry-tree, with the moon hanging over it like a great pearl, was so beautiful that Jane felt a queer lump in her throat when she looked at it."

The girl looks so unhappy, and is searching for a little peace from the moon, which really looks like hanging over the cherry tree like a big pearl. It vividly portrays Jane's unhappiness when staying at her grandmother's house in 60th Gay Street.

However, if you look carefully at the girl, you can see there're still hopes for a brighter future. Her bright face and her clasping hands suggest that hopefulness. She feels alone, but she finds solace in the moon and the cherry tree; they're her temporary friends, until she finds lovely people who'd love and accept her as she is. Well, the pearly moon and the cherry blossoms help adding a touch of gayness to the cover too.

All in all, I love this cover art, modern, beautiful, melancholy, but with a touch of brightness.

Now, let's pick two more cover arts from different editions.

McClelland & Stewart (1st edition), 1937

I'm always curious by first edition of a classic. In this edition, there's the little girl, and the big moon. But what tree is that, with its hanging branches over the girl? I don't like this painting. The night is too dark, despite of the full moon. The tree looks rather ominous; and the girl's gesture seems like she's waiting for someone or something, rather than a lonely or unhappy child. It doesn't look charming at all; and if I was to look at this cover while hunting for a charming book at the bookstore, I won't pick it.

McClelland & Stewart (later edition), 1989

I rather like this one. It's obviously Jane and her father having a picnic during Jane's summer stay at Lantern Hill. They're having a good time, and the overall painting conveys a sense of warmth and coziness. But to me, it’s too straightforward; it lacks the depth and complexity of the story - Jane's struggle, her wonderful personal development after tasting love and freedom.


In the end, to me, the winner is the Virago's cover. It's artistic, beautiful, and true to the story.

What do you think? If you have read the book, which cover art do you think truly represents the story? And if you haven't, which one appeal to you most?

**This is my second entry for We ❤ L.M. Montgomery Week hosted by Hamlette (Rachel) @ Hamlette's Soliloquy **

Jane of Lantern Hill by L.M. Montgomery: A Review

🧡 Jane Victoria Stuart lived all eleven years of her life with her mother, aunt, and grandmother - the Kennedys - in 60th Gay Street, a respectable house in Toronto. But she always feels she doesn't belong there. The only thing she loves within the house is her mother. She hates everything else, especially the strict and prim of her grandmother, who seems to be jealous because her mother loves Jane. About her father, nobody in 60 Gay Street ever mentions; so Jane assumes he's dead.

🧡 Jane attends St. Agatha's, a respectable school chosen by her grandmother, but she doesn't belong there either. She's nervous and awkward, and seems to be useless at anything she does. And the Kennedys would sneer and laughed at her everytime she blunders, which would make her feel more inferior and miserable than usual. At times like that, her only console are the moon and Jody, an orphaned girl her age who shares her spirit.

"Jane had her own particular reasons for liking to look at the moon . . . and the white blossoming cherry-tree over in the yard of 58. The cherry-tree, with the moon hanging over it like a great pearl, was so beautiful that Jane felt a queer lump in her throat when she looked at it."

🧡 One day, a letter came from Jane's father. Her father, whom she thought was dead, is actually alive, and wants her to spend summer with him in Prince Edward Island! With many doubts Jane came, and found out that his father is an amiable man whom she can actually love and loves her back! He even bought them a charming house in Lantern Hill, where Jane feels belong to for the first time in her life.

🧡 A remarkable change came over Jane as soon as she's found freedom, love, and friendship in Lantern Hill - qualities that she never thought she has in her: courage, strength, and many amazing skills. She even finds comfort in cooking and keeping house for Dad. In short, she seems to have been born in Prince Edward Island - which she actually was!

🧡 Only one thing marred her blissfulness. If only her mother could join them in Lantern Hill! But it's impossible because her mother doesn't have enough 'backbone' to stand up to grandmother, and Dad don't love her anymore. Will her life always be divided into two poles: summer in Lantern Hill and spring to winter in Toronto?

🧡 I haven't read L.M. Montgomery's for a long time (the last one is Anne of Green Gables fourteen years ago), and this one is surprisingly a charming book. I loved Lantern Hill, though I always prefer mountains than beach. And I was amazed by Jane's character development. Jane is a genuinely independent creature, and it is only after letting her free to be herself that she will be blossoming into a great person. Love, freedom, and nature are the most powerful combination!

Rating: 4 / 5

**This is my first entry for We ❤ L.M. Montgomery Week, hosted by Hamlette (Rachel) @ Hamlette's Soliloquy.**