Showing posts with label Mrs. Dalloway. Show all posts
Showing posts with label Mrs. Dalloway. Show all posts

Thursday, March 28, 2013

Clarissa Dalloway in Mrs. Dalloway: Character Thursday (56)


Clarissa is the heroine of Mrs. Dalloway, and she was in her middle age. At this stage of life, she began questioning her past decision to leave her ex-boyfriend Peter Walsh and married Richard Dalloway. I think Clarissa and Peter should have been made a good couple; they loved each other, and they understood each other very well. Often in their meetings, they knew what the other was thinking before they really said it. However, Clarissa was so afraid of uncertainty, that she finally chose Richard Dalloway who was more mature and settled than Peter.

Other reason why Clarissa left Peter, was because Clarissa didn’t like to be scrutinized by him. I think the thought of her boyfriend could read her mind and knew her too much had annoyed her. Clarissa seemed to be always hiding most of her feeling from public. She always wanted to be seen ladylike and quite descent in her high-class society. She was so afraid that she looked too old or too unfit for it (that’s why she was very sensitive to Peter’s unspoken critics).


And in the middle of that fuss, Clarissa never thought about the true meaning of life. She just flowed with it, and enjoyed it. When she held a dinner party, for example, it’s just that she wanted to host a party, no other (more important) reason. She bought flowers for that occasion to feel younger and fresher. She was irritated when Richard was invited to a lady’s lunch without her—not that she was jealous I think—but because the lady did not appreciate her much to invite her. So, how people regarded her was the most important thing for Clarissa Dalloway.

In the end I think Clarissa began to think deeper than the only what in the surface. By beginning to reasoning her marrying to Richard, I think she began to see how she had prioritized status than love; the surface than what’s in the inside. And finally, Clarissa was forced to realize the mortality of human’s life. She was tried to be indifferent to it, blaming the young man’s death as reducing her party’s festivity, but in the end she must have realized that she too must think about it more seriously than just the glamour and glitters of the flowers, fashion and parties.

That is my Character Thursday of this week, an analysis of book character of my choice, who is yours?... Just put your post URL in the linky below. Do you like to join us in discussing characters from books you read? See the details of Character Thursday first.

Wednesday, March 27, 2013

Turn Of The Century Salon March Prompt: Mrs. Dalloway




For the salon, I have read Mrs. Dalloway (here is my review, and here is what I've worked on for my WEM project). It was my first encounter with both Virginia Woolf and the self consciousness style, and I admit that I could not enjoy it as much as I have expected. Here are few inquiries from Katherine for the salon:


How would the plot of the novel had altered if it had been set in a different era?

The main plot would have not altered too much even if it had been set in a different era, I think. Yes, it is set right after the war, but the problems occurred to the main characters could happen too in a different situation. The general theme of Mrs. Dalloway was a search of life meaning and freedom, which is still relevant to these modern days, and I think, in the earlier centuries too.


What are some adjectives that define what you feel the book is saying?

Snob, indifferent, confused, dependent.


Find a work of art or music within the same time-period that reflect the book and share it.

A Day in June, 1913, by George Bellows

The woman in the right corner brings flowers, which reminds me of Clarissa Dalloway, who went to buy flowers on one sunny morning in London...


Monday, March 25, 2013

Mrs. Dalloway (Final Review)


You probably notice that until now I have not read too many books from modernist authors; I think my favorite still remains with Victorian or 19th century’s :) Well, to repair that, I’ve decided to participate in Allie’s A Modern March event which invites us to read more modernist books. I picked Mrs. Dalloway for this event, first because I’m curious with the stream of consciousness style, and second because Mrs. Dalloway is believed to be one of Virginia Woolf’s masterpieces. And it’s only 200s pages too! But….what a wrong choice that has been for me!

At first, I am fascinated by the stream of consciousness. It’s something different; it’s like entering someone’s mind and flowing with it. It’s remarkable to realize how human’s mind could contain many different things at a time, how they could hop from one place to another in an instant—and sometimes they don’t have any connections at all. Like I said, it’s fascinating to read the earlier part of the book (my ebook version doesn’t have chapters or parts); however the more I got into the middle part, the more I got bored. It’s nice to watch people’s thoughts sometimes, but it would be overwhelming to do that all the time.

Clarissa Dalloway was a mid-aged woman from a high class society of England. It was around 1923, when England has just passed the war. One clear June morning Clarissa was walking around London’s street to buy flowers for her dinner party at that night. During the walk, her mind wandered around retrieving her old memories. From then on, Woolf brought us to ‘inspect’ several other characters’ mind; among them were Peter Walsh’s—Clarissa’s ex boyfriend, and Kezia Warren Smith’s—wife of a nerve-broken man. They were all judging their past decisions, wondering what would have happened if they took a different path, and what they must do next.

So I was lost in their minds, when every now and then Woolf would switch from one’s mind to another’s without any signs, that made me often being at a loss of whose mind I was at a time. My favorite is Kezia and Septimus Warren Smith. They were out of Clarissa’s radar, thus building their own story about their faith. Septimus was struck by his friend’s death in the war—and perhaps by the war itself—which lead him to a nerve breakdown. When he got his seizure, Septimus believed he was being chased by his death friend’s ghost, and would talk to himself and seemed to lose conscious of his surroundings. Kezia put enormous effort in making Septimus look normal in public, while often felt that Septimus ignored her and did not loved her anymore. I felt pity for Kezia…. No wonder she said: “To love makes one solitary.”

There’s nothing really interesting about Clarissa herself. She mostly argued about her past love life. She was with Peter Walsh for some time and seemed to be a perfect couple, before she met Richard Dalloway. On that particular day, Peter suddenly appeared at her house announcing that he would divorce his present wife to marry an Indian woman. Both Clarissa and Peter were reasoning with themselves whether they’d have been right not to marry each other. Clarissa remembered too how she was fond of her girlfriend Sally Seton, how they had been not only friends, but more intimate than that. Clarissa was thinking about her husband Richard too, how he seemed to be away from her, and she was a bit jealous because a lady had invited Richard to lunch without her.

All in all, Mrs. Dalloway is about uncertainty and a search of life’s meaning and freedom. Clarrisa Dalloway and Septimus both were searching for freedom from the society, but both from different situation. Clarissa was sick of being under criticism of others (that’s why she had broken up with Peter Walsh), and she longed to have privacy, that she chose to sleep in an attic room in her house. Septimus sought for freedom for a deeper purpose. He was treated inhumanly by his neurologists; the so-called Professors and experts forced him to take this medication and that kind of treatment, but forgot to treat him with the more humane touch. They treated him as merely a sick patient, but failed to see that what he needed most is love and care. They thought that keeping him alone in an asylum would be the best cure, whereas people like Septimus should have mingled with society who would treat him like a normal man. They should have treated him as a friend, put trust on him. I’m not a doctor, but I believe it will make him feel better.

Two and a half stars for Mrs. Dalloway, because I didn’t enjoy it as a whole, though I still found a treasured value behind it, which add the half star there.

~~~~~

I read ebook version from Feedbooks

This book is counted for:



my WEM inquiries post for this book

37th book for The Classics Club

Wednesday, March 20, 2013

Mrs. Dalloway: The Stage Reading Inquiries


The ebook version I read for WEM does not include any chapter division for Mrs. Dalloway. Knowing that it is a stream of consciousness, Virginia Woolf might not using chapters at all. And I think, this kind of narrative doesn’t need one. So consequently, I did not do the usual chapter summarizes, and went directly into the stage inquiries instead. Here they are… (I would write a separate post for my final review).



Grammar-Stage Inquiry

Who is the central character?

It’s definitely Clarissa Dalloway, from whose stream of consciousness Virginia Woolf derived the most in this book.

Logic-Stage Inquiry

What does Clarissa Dalloway want? What is standing in her way? What strategy does she pursue in order to overcome this block?

I think Clarissa herself did not know what exactly that she wants, so we can say that she wants to know what she lives for, the meaning of her life. The post-war situation with all the changes might stands in her way, but her dull life might also be her block. And in one whole day Clarissa reflects and debates with herself of her past, her old friends, her marriage, and her surroundings while preparing a party for the night. Those reflections resulted a new way of viewing her life, and that’s how Clarissa overcome her block.

Who is telling you this story?

This is my first stream of consciousness reading, and it is interesting to know a little about it. It’s a kind of narrative technique which follows the flowing of character’s mind; so I think it is the third-person objective who’s telling the story, who was hopping from one’s mind to other to tell us what they’re thinking.


Rhetoric-Stage Reading

Is this book an accurate portrayal of life? Is it true?

I have never been in a war or post-war time, but I think Woolf has vividly portrayed a society that has just emerged from the war. Families ruined by its cruelty (Septimus and Rezia Warren Smith), and women began to have place in the society (Miss Kilman assured Elizabeth that women could—and must—now pursue their own career; and how she despised Clarissa for being idle at home).

Do you sympathize with the characters? Which ones, and why?

My sympathy is for Rezia. She did not participated directly in the war, but she suffered directly from it. Septimus, her husband, got a nerve breakdown from the war. Rezia must endure it alone, as people won’t understand and would think that Septimus has gone mad. Moreover, Septimus seemed to ignore her, not loved her anymore. Rezia felt very lonely and helpless, her marriage was ruined by the war, the war has taken (still) young Septimus from her.

What does the setting of the book tell you about the way human beings are shaped?

I think, war also brings uncertainty and confuse to the society after it is over. Just look at Clarissa and Peter Walsh who were searching for something; who felt that their life was incomplete, something was missing, but they did not know what it was. ‘The death of a young man’ (Septimus) has helped opening Clarissa’s mind, that shifting her from the absurdity of parties and luxury, to something more profound in life, such as death.

What exactly is Virginia Woolf telling you?

That one should not be indifferent to others. War has ruined relationships, and changed the society very much. One should adapt to it more and learn to build and rebuild relationships. Richard Dalloway’s giving Clarissa a rose bouquet (he was a very conservative man who never showed off his feeling before) proved to be a change of husband and wife (and family) relationship in the turning of the century.

~~~~~

I worked on this for:


Saturday, March 16, 2013

Weekend Quote 18: Mrs. Dalloway


This is, or would perhaps be, my longest Weekend Quote—if not passage—so far…. But, I just can’t ignore this beautiful passage from Virginia Woolf which shows her genius in mind description. This is taken from Lucrezia “Rezia” Warren Smith, a suffering wife of a mad man—either schizophrenia or post-war nerve disorder—Septimus. Rezia loved Septimus a lot, and she always tried to save him from humiliation in public, by making him looks normal, so that people won’t see his abnormal behavior. This, and feeling that Septimus did not love her anymore, tortured her. She felt lonely because she must endure it alone, having nobody to tell about it. And Woolf has described Rezia’s deep feeling in this…

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pour over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank windows, they exist more ponderously, give out what the frame daylight fails to transmit—the trouble and suspense of things conglomerated there in the darkness; reft of the relieve which dawn brings when washing the walls white and gray, spotting each window-pane, lifting the mist from the fields, showing the red-brown cows peacefully grazing, all is once more decked out to the eye; exists again.”

Does being alone in a great suffer feel like dissolving into the darkest of the night? Maybe it’s when we are in our deepest despair. But somehow, the sun will shine again, we exist again. Or is it about bearing humiliation? That Rezia wanted to dissolve into the dark, but she couldn't hide it forever from the world, that one morning, everything would be clear, and everyone can see it? I don’t know, until now I still vaguely hold the meaning of that passage. It deserves my deeper reflection. Can you light me?



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