The Cherry
Orchard is one of Anton Chekhov’s most famous plays. I picked this play for Let’s Read Plays (other authors theme), and for my WEM Self-Project. This
is the second play I read for WEM, and as usual, I’ll begin with the Acts
summaries.
[source] |
Act One
Act one is
an introduction of each characters and their conflicts. Mrs. Ravensky (Lubov
Andreyevna) is arriving at the family estate after five years leaving it for other
country together with Anya, her daughter. Her husband and her only son had
died, while her adopted daughter, Varya, has been staying and managing the
estate during her absence. The Ravensky is falling into poverty, they could not
pay their debts, and the estate—with the beautiful cherry orchard—is threatened
to be sold in an auction.
I get the
feeling somehow that Lopakhin (a peasant’s son who becomes a businessman) and
Pischin (another landowner) are using Mrs. Ravensky. Lopakhin persuades Lubov
to cut off the cherry orchard and build a summer villas to get money; while
Pischin keeps asking for a loan to pay his mortgage. Lubov rejects Lopakhin’s
idea because she loves the cherry orchard, while she asks Gaev—her brother—to
give Pischin the money, despite of her near-bankruptcy.
Beyond that,
there’re trivial conflicts of Varya—who is expecting to marry Lopakhin but the
man hasn’t proposed to her yet; of Dunyasha—the maid servant who likes to dress
like a lady, and is proposed by Epikhodov—the clumsy clerk. Dunyasha is annoyed
by this, and seems to be more attracted to Yasha—a young footman whom she
hasn’t met for five years as he served Mrs. Ravensky in Moskow. While Anya
seems to jolt in joy at the news that Peter Trofimov (used to be her death
brother’s teacher) is staying there at the moment.
Act Two
In second
act we come to know everyone better. Charlotta—governess who likes to wear
man’s hat and carry a riffle—is an orphan and feels lonely in this world where
she can’t remember her mother and father. Dunyasha expresses her love to Yasha
who reacts so disinterestedly; while Epikhodov carries revolver everywhere and
implicitly ‘threatens’ to kill himself if Dunyasha doesn’t react to his
courting.
Lopakhin
still persuades Lubov of the villas idea, and Lubov still persists to reject, which
annoys Lopakhin. In her poor condition, Lubov still can’t resist giving gold
changes to a tramp.
Trofimov
makes an interesting speech about how idle people are; even the intellectuals
do nothing important and don’t know the real meaning of ‘working’. Anya and Trofimov
discuss their closer relationship—which Trofimov thinks a ‘vulgarity’, and Anya
expresses how her love to the cherry orchard has changed. Trofimov expresses
how the cherry orchard bears mush of the history of Ravensky ancestors, and
that the future lays onto real action (works). He persuades her to leave that
place.
Act Three
The night of
the auction, the Ravenskys have a party. Gaev is expected to buy the estate as
Anya’s grandmother had granted him the money. He and Lopakhin didn’t appear
until late at night, making the whole family in distress.
Meanwhile,
Varya doubts that Lopakhin would ever propose to her because he is too pre-occupied
with business. She also thinks that if she just possesses money, she would go
to the convent if the estate is sold.
Act Four
Lubov, in
her anxiety to hear the auction result, tells Trofimov about her lover who has
been taking advantage of her. He is now severely ill in Paris and asks Lubov to
come there. Trofimov says that the auction result hardly means anything and
that Lubov should have thinking about the future instead. He also frankly tells
Lubov that she better ignores her lover as the man has robbed her. Lubov is
angry about this.
An old
servant named Fiers remarks that as Ravensky has become poor, the guess at
their party has greatly changed. No barons or counts are eager to come now; it’s
even difficult to get a station master to come. Meanwhile, Varya cries because
Trofimov keeps teasing her as Madame Lopakhin.
Finally Lopakhin
and Gaev arrive at the party; the first looks happy while the latter tired. It
appears that Lopakhin has bought the estate for himself, defeating Gaev. It
means that the Ravenskys must leave the estate, and their dearest cherry
orchard will be cut down to make space for the villas building. Lopakhin
reflects how he had been succeeded to own the estate where his father and
grandfather used to work on as slaves. Lubov weeps and Varya throws away her
keys. Lopakhin reproaches Lubov for not listening to his suggestion; while he
expresses his eagerness to axe the cherry trees, although not long before he
says that the cherry orchard is ‘the most beautiful place in the world’.
Vacating the
house is quite a scene. Lopakhin offers a loan to Trofimov, which the latter
rejects because he is a man of free. Meanwhile, Anya, Varya and Lubov all
concern about Fiers; whether he has been transported to the hospital, which
Yasha confirms that he had given the order, and that ‘they’ must have done
that. Dunyasha cries over her separation from Yasha, whom takes it very coldly.
Varya is the most distressed soul among others because Lopakhin never proposes
to her until the end amid Lubov’s personal request to him. Meanwhile, Anya and
Trofimov seem to be the happiest couple of all; they look at the future as a
brighter one than what they would leave behind. Anya even convinces her mother
that they would plant cherries in a new orchard, and that it would be more beautiful
than theirs.
*spoiler* Lubov
and Gaev are the last to exit the house before Lopakhin locks every door as he
will leave for a quite long time. For a moment silence fell on to the empty
house. But, it soon appears that it’s not quite empty, because old Fiers is
actually still in the locked house, undetected by others!! Oh my… what an
ending!
~~~~~~~
I would love to see this one performed live. I'm playing to read one of Chekov's other plays for the LRP challenge!
ReplyDeleteYes, it would be very interesting to see this performed live. I look forward to your Chekhov's play post!
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