The Guest Cat (2001) by Takashi Hiraide #ReadingtheMeow2026 #20BOS26

 

🐈 My second (and last) read for #ReadingtheMeow2026 hosted by Mallika, is a Japanese semi-autobiographical novel by an acclaimed Japanese poet Takashi Hiraide. It was based on Hiraide's own part of life, where, as freelancers, he and his wife had lived in a small rented cottage in the quiet part of Tokyo, and their attachment to a certain cat. Hiraide wrote this as a novella, with his poetical style of writing, combining a beautiful narrative with a touching story of relationship between human and animal, spiced up with a little mystery at the end.

🐈 The narrator, like Hiraide himself, is a freelance writer, who rents a small cottage which had been a kind of pavilion to a big house, where the landlady lives. The cottage is uniquely placed, tucked into a corner down a kind of zigzagging alley. I love how Hiraide describes the cottage and the alley, which he calls Lightning Alley - due to its zigzag shape, similar to lightning (I suddenly thought of Harry Potter's scar!) Anyway, a cat invites herself to their kitchen one day. This cat, which is called Chibi, does not seem to belong to anyone around the neighborhood. Sure, the boy next door is kind of the formal owner, but in reality, Chibi just let herself being fed and played with for only a certain time by the boy. At night she sleeps at the narrator's cottage, inside a box in the cupboard. The cat let itself in from a tiny gap at the window (Chibi is a small cat). At a particular time every morning, she would leave, just in time to see the neighbor boy go to school.

🐈 Despite Chibi's seemingly 'aloofness' (she never allows anyone touch her, and she never lets out even a single meow), the narrator and his wife are soon attached to her. The guest cat brings bright shine to their existence, and slowly but surely, Chibi seems to be part of their family. Just like how Chibi had first appeared at their cottage, one day she just stopped coming. This distressed the young couple not a little - just as if their child is suddenly missing. They wait and wait in vain, then one day the author heard from his neighbor (mother of the boy who 'owns' Chibi), that the cat had been found lifeless in a nearby street corner, presumably having been hit by a passing vehicle. You can imagine how grief-stricken the couple had become.
🐈 The depth of the narrator and his wife's attachment to Chibi could be seen from how they were distressed when the landlady decided to sell the house, which meant that they have to move out. The thought that they would be far away from where Chibi had been buried (under her favorite tree), forced them to find a house nearby from where they could still take a look at the tree. It is clear that they did not have a proper closure to Chibi's tragic demise. And that's understandable, because of the little mystery that surrounds the beloved cat's death. I won't reveal anything here; it is sufficed to say that human's relationship with animals and dealing with grief are two most important aspects of this novella. The ending is ambiguous, highlighting the fact that we could never know everything we want to, and some tragedy could remain mystery forever. One just needs to try to cope with it, and move on.

Rating: ⭐⭐⭐⭐

Read for:

Reading the Meow 2026

hosted by Mallika @ Literary Potpourri

20 Books of Summer 2026
hosted by Annabel @ AnnaBookBel

The Convenience Store by the Sea (2020) by Sonoko Machida #JapaneseLitChallenge19

🛒 This book brings us to the seaside town in Japan: Mojiko, Kitakyushu, where you'd find one of the convenience store chain called Tenderness. Now, while I might not be able to relate to a library - in which many heartwarming stories have been set - a convenience store is my day-to-day existence. You see, I live in the second biggest city in Indonesia, where you won't find many libraries (except in universities), but convenience stores scattered abundantly on almost every corner of the streets. We have three in my apartment building, and they are, indeed, very convenient. From fresh fruits and (not so fresh) vegetables, to groceries; hot dumplings and coffees, to ATM machine, you'll find everything in these convenience stores. Let's say, you're moving to your new apartment, bringing nothing but yourself, well, you can find practically everything you'd need to survive in a day or two - food & drink, toothbrush, towel, even underwear, from these stores.

🛒 The story has no plot, but constructed from several interconnected short stories, all related to Tenderness and the main characters, who works at the store. In a way, you can say that the convenience store is a character itself. The first and last stories are told from Mitsuri's POV. She's a mother of a teenager, a passionate worker at the store, and quite a successful manga writer. Hers served as a starting point of the story, revealing about the store and its workers, and the conclusive end of it, tying the lose-end bits. The rest are told from third person's POV, usually about patrons of the store or families of the workers. They all have struggles in either self-acceptance or identity crisis, but all found comfort from the convenience store - well, maybe not the store itself, but the workers. 🛒 Two of these are brothers: Shiba and Tsugi. The first is a handsome and affectionate manager, whom Mitsuri called the Pheromone Manager; basically a magnetic creature who seems to attract everyone around him. It would be okay if it stops there. But making this Shiba guy a sort of celebrity with a few fan clubs, always being surrounded by ladies when he's on duty - well, it seems very off. Why must the writer create such a perfect character that seems inhuman? It was one element that made me sick, but apart from that, it's a cute and heartwarming story.
🛒 What I loved most is how the store provides a dining space next door to the store, so that customers can buy ready-to-eat food and eat them on the spot. As the store is located on the lower part of an apartment building for senior citizens, it makes sense that it caters the elderly people with ready-made breakfast or lunch. It provides an amazing space for people to socialize, and indeed, many of the characters find comfort and friendship from the cozy place. The convenience store on my apartment building also recently provided a little dine-in space on its second floor, but only a long table by the window with several chairs. But still, it was an improvement. And while the food they sell are not as varied (and delicious) as in imagined in Tenderness, it is convenient indeed. All in all, this turned out to be a book I could well relate to, but too soppy for my liking.
Rating: ⭐⭐⭐1/2

Read for:

Japanese Literature Challenge 19

hosted by Dolce Bellezza

Night on the Milky Way Railway (1934) by Kenji Miyazawa #JapaneseLitChallenge19

🚅 Giovanni (a strange name for a Japanese boy, by the way) is a poor boy who is usually so tired after his part time job, that he doesn't do good at school. This makes him seems to be a dreamy and weak, that even his friends leave him out when they are playing or having fun. They also ridicule Giovanny because he had said once that his father would come home soon and buy him otter-skin coat. It isn't clear what or where his father is - whether on fishing trip (a prolonged one), or else in prison. I suspect the latter. That is how Giovanni is feeling towards the upcoming Star Festival, or Milky Way festival. Feeling left alone, that even his closest friend Campanella is having fun in the festival (and looks at him with pity), Giovanni suddenly finds himself on board a steam train, after he goes on top of nearby hill and gazes above at the Milky Way.

🚅 But the train isn't a usual one; it's a dream train on a dream track. The train passes some stations, named after the constellations. It embarks from Northern Cross, and on the track are Swan station, then Scorpio, and some other names I forgot. Campanella is on board the same train, which pleases Giovanni, and also some others strange men. One of them is a bird catcher, who catch bird so easily, just by lifting his hands above, and then eats them as it is, which strangely tastes like chocolate cakes.

🚅 Along the journey, we were entertained with more and more strange and magical occurrences, that in the end it doesn't feel very special anymore. It feels more like a long and incoherent dream that we remember nothing after waking up. I could see why it has become a children classic, but for me personally, this is just a confusing story. The galactical theme is a pretty attractive tool for educating children about our galaxy. And the end might be good to preparing children of the frailty of human's life, but I feel it's too dark for children.

Rating: ⭐⭐⭐

Read for: 

Japanese Literature Challenge 19

hosted by Dolce Bellezza

The Boy and the Dog (2020) by Seishū Hase #JapaneseLitChallenge19

🐶 After a devastating combination of earthquake and tsunami hit Japan, a young man found a stray dog in front of a convenience store. The name tag shows its name as Tamon. The man took the dog in, after making sure that the owner couldn't be found/contacted by the vet - no doubt it has been separated from the owner after the disaster. The young man, Kazumasa, has lost his job, and was at loose end to take care of his sister and their ailing mother. He was offered a job related to criminal activity, which he took for the money he desperately needed. He always took Tamon while on the job, as his guardian. One day the criminal operation failed, and Tamon was brought away by the criminal; and then he became Tamon's new owner.

🐶 The story consisted of several parts, each dedicated to Tamon's "adventures" with its different owners. It usually stays with one owner, taking care of them - or becomes guardian to him/her - until its 'services' are no longer needed, so to speak, either because of the owner's death or changed circumstances. Then Tamon will disappear one day, to be found several days or weeks later, usually in poor condition by the next-owner-to-be. One thing that Tamon's owners always notice, is that Tamon is always looking to the south direction whenever it is on journey with the them, as if there's something or someone in that direction it wants to come home to. It makes whoever owns Tamon for the moment, becomes a bit jealous of its dedication and purpose. But meanwhile, Tamon never fails to protect them. 🐶 Tamon's journey spanned for five years before he arrived at or found what he's been looking for. I won't reveal exactly whom or where it was, since it's part of this book's charm - the little mystery of Tamon which baffles us until the last chapter. The theme of the book is of the beautiful bond between human and dog. Tamon's owners are mostly the desperate or downtrodden individuals; and Tamon's friendship and deep connection with them always provides encouragement and comfort when they need it most. It shows the wonderful gift dogs have for whomever choose to accept it. 🐶 On the whole, this was a heartwarming story - consists of unrelated events, but tied together by the same affectionate dog, whose main goal in life seemed to be helping humans to find comfort in sorrowful moments. And if you happen to shed some tears in end - like most stories about dogs tend to do to us - so what? It's tears for the wholesomeness of life, anyway.
Rating: ⭐⭐⭐⭐1/2

Read for:

Japanese Literature Challenge 19 hosted by Dolce Bellezza

The Housekeeper and the Professor (2005) by Yōko Ogawa #WITMonth #20BooksofSummer2025

🔢 In 1975, a brilliant Professor of Mathematics had a car accident, which caused a severe head injury, with a peculiar side effect. His memory of events before the accident is intact, but after 1975, the Professor lives with short-term memory of only eighty minutes. It means that after eighty minutes, his memory would be completely erased, except for that of 1975 and before. "In the simplest terms, it's as if he has a single, eighty-minute videotape inside his head, and when he records anything new, he has to record over the existing memories."

🔢 A housekeeper who works for an agency, was hired by the Professor's widowed sister-in-law, to keep house for the Professor, who is now on his sixties. He lives in a small cottage, adjunct to the sister-in-law's house. Eight other housekeepers had been hired and left, and so this one (we never get to know her name) was a little apprehensive when she arrived at the first day. The Professor is quite peculiar in appearance; his suit was worn, and several scraps of notepaper with his handwriting were pinned on it. It was his way of remembering important things. The most important one seems to be the one with "my memory lasts for eighty minutes", but after the arrival of the new housekeeper, he has a new one that says: "the new housekeeper" with a sketch of a woman's face. And that appears to be the beginning of a deep friendship.

🔢 The Professor is fond of numbers. His first greeting to the new housekeeper was: "What's your shoe number"? It's an odd way to say to a new acquaintance, but it's his way to cover his nervousness or awkwardness. After one produces him any number (shoe, telephone, birthdate, and so on), he would give you a theorem of prime numbers or factorial numbers. But the story gets much more interesting when the housekeeper's son came into the scene. He was nicknamed "Root" by the Professor, as the top of his head is flat, just like the square root symbol. Apparently the Professor cares so much for the boy, and since then, an intimate friendship wrought itself between the three unlikely persons. Either around the dinner table, or the baseball stadium, they were always happy in each other's company.

🔢 I think the biggest question that the author, Yōko Ogawa, wanted us to reflect is, whether it is possible to have an intimate relationship when one does not have memory. How can you have a deep affection to someone whom you completely forgot you've ever met before? That is something I have never thought before. Is our relationships built from things we enjoyed in the past? And if we're get rid of that; if we see the other as a stranger each time, will we recognize the bond, even if we don't understand why or how? Interesting isn't it?

🔢 On the whole, this is a thought provoking story. You'll enjoy it more, perhaps, if you love Math and/or baseball. I don't both, but I still enjoy the trio's deep relationship.

Rating: ⭐⭐⭐1/2

Read for:

20 Books of Summer 2025
hosted by Annabel and Emma

The Convenience Store Woman (2016) by Sayaka Murata #JapaneseLitChallenge18

🏪 Keiko Furukura grown up as an unusual child. She never fits in, neither at home, nor at school. It's just that she thinks differently from other children. Like, when they found a dead bird, while the other children were devastated or crying, Keiko was thinking that her father would like to have the bird cooked for dinner tonight. I think I will feel similar to Keiko - dead bird is just, well... a dead creature. It would be different if it was my pet, but a random dead bird is just natural. That's just one example, but Keiko's family was worried, and always think she needs to be cured.

🏪 At eighteen, Keiko still doesn't fit in in college. At this point, she took a part time job at a convenience store. It was a God-send to her, so to speak, as she finally found peace inside the regulated small world of convenience store. When one works in a convenience store (the kind that are numerous in Japan, as well as other Asian countries), one becomes a store worker; no matter what one's gender, sex, education, race, or social background is. One is only expected to perform based on the store manual. One would not be expected to be, to feel, to look like anybody else, since during working hours, they are all one entity, convenience store workers. Then, and only then, does Keiko feel happy, safe, and comfortable. No wonder that she never leaves the job, and becomes more and more attached to it.

🏪 Now Keiko is in her thirties, still a part-timer, still unmarried. Her family and friends are uneasy, often annoy her with their comments, insinuations, persuasions. Apparently, Keiko still doesn't fit the society. What is her fault? She lives independently, doing a good job, doing no harm to others, and more especially, completely happy and peaceful with herself. What's wrong with that? Well, it's wrong because the society dictates that a normal person should marry and procreate, and he/she should always improve in career. Being comfortable in one place for the rest of one's life isn't normal. It seems that all the Keikos in the world have only two choices: being happy of their own values, but being shunned forever from the world, for rejecting the society's convention; or accepted in the society, but forever living as a soulless creature, always conform with others.

🏪 Who would have thought that this seemingly nice and sweet little book is actually so thought-provoking, though in a fun and easy going way, without judging or condemning? Beyond the main theme, I loved its convenience store dynamic atmosphere as the background, but also, almost, as a living entity in the story. As an Asian, I, too, can't live without convenience stores. We even have four inside the apartment complex, two of them with ATM machine, where I can buy bread, fresh fruits, and sometimes hot snacks in about five minutes walk. Very convenient indeed!

Rating: ⭐⭐⭐⭐1/2

Read for:

Japanese Literature Challenge #18

hosted by Dolce Bellezza

The Kamogawa Food Detectives (2013) by Hisashi Kashiwai #JapaneseLitChallenge18

🍜 Tucked away in a quiet backstreet of Kyoto is an unusual Diner. No sign appears on the outside of the unassuming buiding, but once you open its sliding door, you'd find a cozy restaurant. Run by Nagare Kamogawa and his daughter Koishi, it's a special restaurant combined with a detective agency in the back office. How can a restaurant be mixed up with a detective agency? Well, the agency doesn't take the usual criminal cases, it deals with food - recreating food, in particular.

🍜 A potential customer would first be served with a set menu curated by the Chef, Nagare. After enjoying the meal (every customer do!), he or she would be directed to the office, where Koishi would interview the client of what dish he or she wants them to recreate. It could be a childhood dish, or a memorable dish important for the client. She would ask some further questions concerning the background, location, etc. And based on these information will Nagare then track and investigate the dish concerned, and try to replicate it for the client in a fortnight.

🍜 This book is a compilation of these cases, or shall we say, these dishes. Each dish isn't only centered on the food only - they all met, or perhaps, even, exceeded the clients' expectations - but more than that, Nagare's investigation usually reveals deeper aspect of emotion behind a plate of delicious food - memory, loved ones, forgiveness, understanding, and new hope. All in all, it's a collection of heartwarming stories with mouthwatering foods, with a sprinkle of mystery.

Rating: ⭐⭐⭐⭐

Read for:

Japanese Literature Challenge #18

hosted by Dolce Belleza

How Do You Live? by Genzaburo Yoshino #1937Club

🖤 Genzaburo Yoshino was graduated from college in the 1920s with a degree in philosophy, but his interest was soon shifted to politics. In 1925, Japan passed the Public Security Preservation Law, forbidding its people to say or write anything critical to the government. Yoshino was arrested and imprisoned for eighteen months after attending political meetings with socialists. After being released, a friend offered him a job of editing ethics textbook series for younger readers, to teach them the importance of free and rich culture to human progress. Yoshino thought such books would bored young readers, so they came up with the idea of writing it as a novel instead. How Do We Live? is the end result.

🖤 The story is about a fifteenth year-old boy called Honda Jun'ichi, but nicknamed Copper. It's an interesting story how Jun'ichi got this nickname. His father died two years before, and his last wish was that Copper would grow into a good human being. So, Copper's uncle begins to guide and advice him. They become very intimate and inseparable.

🖤 One day Copper and his Uncle are on top roof of Ginza, looking down on the busy street of Tokyo. At that moment Copper realized how tiny his existence was, just like a single molecule within the wide world. And that's when his Uncle starts writing a letter-like notes to Copper in a notebook. His topic ranges from science (Coppernicus - that's whom Copper got his nickname from), philosophy, ethics, to culture (Buddhism) and history (Napoleon).

🖤 Through out the story, we are presented alternately with Copper's struggles at school, as well his impressions of human beings; and with the Uncle's long notes on various topics accordingly to what Copper has faced or shared to him about. Inspiring and reflective though they are, I think these lectures could have been too long-winded, if they were addressed to young readers. My favorite part is when Copper befriends a poor boy, whose family own a tofu shop. Well, not so poor as they have few employers, but is considered poor compared to the wealthy families the boy is in school with. I just wondered why the poor family chose this school for the boy in the first place. Anyway, it provides a nice education for Copper. Another one is one of Copper's friends is bullied, and how Copper, when the moment come when he should've stood up for his friend, failed to do so, and it tormented poor Copper. What a huge learning he got from that experience, what with his understanding mother and intelligent uncle! 

🖤 All in all, it's a gem from bygones that I'm very glad to have found, thanks to the 1937 Club! Speaking of 1937, it's refreshing to be able to take a journey to Japan in that era. I would love to seeing newsreel film at the theater, like what Copper and his uncle do for leisure.

A few wonderful quotes:

"A heroic spirit that's not devoted to human progress may be empty and meaningless, but goodness that is lacking in the spirit of heroism is often empty as well."

" When you have made a mistake, to recognize it bravely and to suffer for it is something that in all if heaven and earth, only humans can do."

Rating: ⭐⭐⭐⭐

Read this book for:

The 1937 Club

hosted by Simon @ Stuck in a Book & Karen @ Kaggsy's Bookish Ramblings

The Tale of Genji by Murashaki Shikibu

👑 Murasaki Shikibu was a lady-in-waiting (court lady) in the 11th century Imperial court on the Heian period. And Genji Monogatari (translated to The Tale of Genji) - which is written based on her service period in court - is considered one of the first novels which had ever written in the world.

👑 Genji is the Emperor Kiritsubo's son with his favorite but low ranking concubine from Pauliwnia Court, whom he loved more than the others, more, even, to his wife, Kokiden. The little son was a prodigy (handsome, intelligent, and very talented). And the Emperor would have liked to make him royal prince, but decided not to, because a boy without high rank maternal backing would be tortured by court political backlashes. That was exactly what his mother had experienced (and presumably the cause of her premature death, which caused sadness to the Emperor). Therefore he was brought up instead as a commoner, named Minamoto or Genji.

👑 I couldn't help thinking how lonesome it is being at the top. When one loves a person, the loved one would be hated by others, thus one just causes only grieves to the loved one. Then both would be unhappy.

"Happy are they whose place in the world puts them beneath such notice!
The great ones of the world live sadly constricted lives."

👑 Don't quite understand too why parents at that era (most often the father) thought that sending their daughters to the court would make them happy. But then, that's typical of Asian parents, apparently - telling their children to be so and so "because they know what would make the children happy", while ignoring what the children must have thought for themselves.

👑 And it's also typical of Asian children to obey their parents. Disobeying means disaster, but obeying often leads to another disaster. And it's amazing how generation after generation repeat the same thing, while they know the consequences.

👑 Anyway, a princess called Fujitsubo, whose resemblance with Genji's late mother is uncanny, was brought to the court and won the love of, not only the Emperor's, but also young Genji, despite of his (Genji's) recent marriage with the Minister's daughter (political marriage without consent of neither bride nor groom), right after his initiation as an adult.

👑 By the second chapter, it is clear that Genji is a womanizer, and that the whole story would center mainly on his numerous amorous adventures. His interests extend from young girls to older women, from high rank princess to girls from far lower rank. Of all his women, he respects his wife most, but there's not warm affection from both sides.

👑 Though disapproved of Genji's immorality, I was prepared to tolerate it, as it was the imperial's way of life at the 11th century. However, when he took a beautiful little girl of ten y.o. to "shape" her to resemble Fujitsubo (whose love he cannot have) and to be his future wife; well...I lost a little respect I've reserved for him. Even the little girl's people thought it inappropriate.

👑 I was relieved then, that he kept his promises, to treat Murasaki (the little girl) more like his protegé. She continued to be his favorite lady, though it didn't prevent him from having an affair during his exile - which, by the way, was the result of his other scandalous affair with the Emperor's consort. In short, the tale is about Genji's love affairs, with a little glimpses of court politics at that period, composed neatly with lyrical poems and prose.

What I loved most about this book:

❤ The Poems - I quote one here for you:

"The lady was sad, and more beautiful for the sadness, as she recited a poem:

'They say that it is dawn, that you grow weary.
I weep, my sorrows wrought by myself alone.'

(Genji) answered:

'You tell me that these sorrows must not cease?
My sorrows, my love will neither have an ending.'”

❤ The art of communications - carefully chosen paper colors and materials for letters, implying different meanings; the handwriting and gradations of ink, intensifying the writer's feeling. Sometimes they exchange fans with some handwriting on the corner.

❤ The musics - They play koto (eight or thirteen strings instrument) and flute, and the best players often brought tears to the listeners. I could well imagine the beauty of such musics. The sounds of Japanese or Chinese Koto and Flute, or Indonesian gamelan, always bring peace into your soul.

👑 Tale of Genji's original manuscript actually composed of fifty four chapters. The one I read is the abridgment, of Edward G. Seidensticker's translation, containing twelve chapters. I've randomly chose this version, mainly because its availability on Google Playbooks. But after small researches through google, I'm glad I'd pick this up in the first place - it's considered quite following the original rather strictly, but not too scholarly to cause you headache. 386 pages of Genji is the perfect dose, I guess, and with all the beautiful poems along with prose, one can follow nicely the tale.

If you need more references to which translations to pick, check this blog's helpful and thorough comparation of half a dozen versions of Genji's.

👑 The only setback is its inconclusive ending. But again, I didn't feel like reading further of Genji, so I guess, this is it. It's worth to read for its literary value and classic beauty, but not more.

Rating : 3 / 5

I read this book for Japanese Literature Challenge #15