Showing posts with label King Lear. Show all posts
Showing posts with label King Lear. Show all posts

Thursday, February 14, 2013

Cordelia in King Lear


Cordelia is the youngest daughter of King Lear, and the kindest princess of the King’s three daughters. She is a tender-hearted young woman, honest and easily touched by injustice. Cordelia has no pretense in her. When King Lear asked his three daughters, how much they loved their father, Cordelia could not make up words to explain how deeply she loved her father, although she knew that her father would get angry to hear her plain expression. For Cordelia, it’s enough that she loved him deep in her heart; that her love could only be expressed through her care for him.

Even if her answer would cost her everything—her inheritance and her suitors (she would have nothing as her dowry)—Cordelia kept her principle, that true love could not be expressed plainly through words. I think she could have invented some lovely words just to save her status in the Kingdom, but she did not do that. I admire Cordelia’s strong hold of her principle and honesty. And to those qualities, she was rewarded by the King of France—one of her suitors—by marrying her despite of the lack of dowry.

Years after that, although having been unfairly banished by her father, Cordelia kept thinking of him, she never hated her father, there’s no vengeance in her heart. She persuaded her husband, the King of France to come to England to save her father from her two wicked sisters.

   


When Cordelia finally met King Lear, he was not the powerful King any longer, he has been a poor and weak old man who was banished from his own Kingdom. In his condition, Cordelia still loved him, because she has been loved him from the beginning not as a King, but as a father. And now, when seeing the poor condition of King Lear, Cordelia could finally express her deep love for him. That’s the purest kind of love a father could expect from his children. And from Cordelia, we can learn that love doesn’t need proof; love can only be felt with our hearts.

Thursday, February 7, 2013

Earl of Kent in King Lear


The Earl of Kent (or we can simply call him ‘Kent’) was one of the protagonists in King Lear with a good sense from the beginning. As an Earl, Kent served King Lear; he has become one of his trusted friends. Kent was clever and brave. When King Lear has emotionally banished his daughter Cordelia because she could not express her love to her father properly, Kent openly confronted his King to reconsider his decision. King Lear was enraged by this and banished Kent as well.

Kent was also the most loyal servant of King Lear. Despite of being unfairly banished from the Kingdom for criticizing his master, Kent never hated him and never stopped serving him. He was willingly to put a disguise as a poor peasant and humbly asked King Lear to be his servant. When King Lear was being kicked by his daughters; poor and homeless, Kent followed him and protecting him anywhere the King went. The ending was rather absurd, perhaps, for modern people; when Duke of Albany offered Kent and Edgar to rule the Kingdom, Kent refused it by saying:

I have a journey, sir, shortly to go;
My master calls me, I must not say no.”

Kent (right) was banished by King Lear (left)
from: The Tragedy of King Lear - 2002
presented by: The ActorsNet of Bucks County


Considering that Kent’s sole master was King Lear, and King Lear—at the time he said it—was just dead, we can only assume that Kent’s journey was a journey to the death, where he believed the dead King Lear “calls” him; or in other word, Kent was going to commit a suicide. For us it might be absurd and silly, even for people at the era of this story, but that act only made Kent’s loyalty very subtle, and confirmed his nobleness.

However, sometimes Kent could be temperamental and blunt, that put him in trouble. The obvious example was when he insulted Oswald—Goneril’s attendant—and even attacked the man because he had once been impolite towards King Lear. His action resulted in a humiliating punishment by Duke of Cornwall and Regan. Although he had done it out of his being nobleman and his loyalty to the King, nevertheless he shouldn’t attack a messenger who did not do anything to him personally.

Kent (left) in stocks for a punishment
from: The Tragedy of King Lear - 2002
presented by: The ActorsNet of Bucks County

Apart from his bluntness, Kent was a tender-hearted man too. Perhaps it’s only Kent who could see how Cordelia actually loved her father dearly, her lack of love declaration didn’t reflect her deep and tender love. Kent saw the proof in King France’s tent when Cordelia was attending the sick King Lear, and his tender heart was touched by the scene.

Cordelia:
O my dear father! Restoration hang
Thy medicine on my lips; and let this kiss
Repair those violent harms that my two sisters
Have in thy reverence made!

Kent:
Kind and dear princess!


Tuesday, February 5, 2013

King Lear


This is the third tragedy I read from Shakespeare; but unlike the previous two (Julius Caesar and Antony & Cleopatra), I did not find King Lear as I’ve expected. My biggest problem was the language. Being a non-English-native-speaker reader, I’m just beginning to get familiar to Shakespeare’s plays at Let’s Read Plays event. In two of three plays I’ve read since November 2012, I must sometimes consult the No Fear’s Shakespeare; only with The Merchant of Venice I read the whole play without any difficulties. With King Lear, unfortunately, I spent most of my readings with NFS. :(

King Lear is all about deception; it criticized how people like false, wordy and flowery declarations than true and honest confessions, and outer appearances rather than inner affections. The irony was that the elders—who are supposed to be wiser—were the worst victims of their children’s deception.

The play is about King Lear and Earl of Gloucester, and interestingly, both had had a similar faith. King Lear was going to divide his Kingdom to his three daughters, so he demanded them to declare their love level to him. The more they loved him, the bigger their share. Goneril and Regan both announced their exaggerated love declaration, while Cordelia—who deeply loved her father—could not find words to describe it. King Lear appreciated Goneril and Regan’s declarations, and granted them each along with their two husbands, half part of the Kingdom; while—being enraged with Cordelia who he thought didn’t love him—he banished the youngest princess.

On the other hand, Gloucester had two sons, a real one and a bastard one. The bastard Edmund—being hurt of how people talked about him as a bastard and envied his brother—accused his brother (Edgar) as a traitor. Gloucester—digested the case without further consideration—was enraged, that Edgar was forced to runaway in disguise. When the crimes were then revealed, both King Lear and Gloucester lost their insanity out of deep rage and regret—enraged to the traitors and regretted for bad treating the innocence. And just as typical tales, when King Lear and Gloucester were at their hardest times—both children they had rejected came to rescue them with a tender heart and forgiveness.

Besides that main plot, King Lear was also about loyalty vs infidelity. Kent, who had been serving the King, was banished when he defended Cordelia from his father’s banishment. However, instead of revenge, he return in disguise to serve King Lear as a lower attendant, while secretly was closely in contact with Cordelia about King Lear’s condition. Meanwhile Goneril and Regan had had affairs with the same man, Edmund. Goneril even asked Edmund to kill his husband, Duke of Albany, whom was a generous man, thus was different from his wife.

What confused me is the war between France and England. Was that really a war between two nations? Or was it merely Cordelia’s intention to set her father free, that King of France decided to send troops to England?

Actually I picked this play for its high ratings in Goodreads and positive reviews from others. I read it with high expectation, but left slightly disappointed, for the story was quite typical and ordinary. In fact I was wondering, is this play going to be enjoyable to be performed on stage? I feel that this play would be much better written as a novel than as play. I was also surprised at the vulgar comment about women here, which I found quite insulting.

Down from the waist they are centaurs, though women all above. But to the girdle do the gods inherit; beneath is all the fiends'. There’s hell, there’s darkness, there’s the sulfurous pit— burning, scalding, stench, consumption!

Three stars for King Lear. Not my favorite so far, and I’m now looking forward to Shakespeare’s history theme for February.

*I read the ebook version from FeedBooks dot com*

*This book is counted as*

January’s Freebie theme of Let’s Read Plays


31st book for The Classics Club