The Ladies' Paradise by Émile Zola: A Reread from Audiobook

👗The Ladies' Paradise (Au Bonheur des Dames) is one of my favorites from Zola. It is less "raw" than the others in Rougon-Macquart cycle, so obviously, more cheerful. In this second reading, I realized that this book is the one where Darwinism struggle for existence is most strongly applied.

👗 Ladies' Paradise is the first department store in Paris (inspired by Le Bon Marché). It was first founded by Madame Hédouin (told in previous novel in Rougon-Macquart novel - which I didn't review - Pot-Bouille), where Octave Mouret has worked as a salesman. He was a charming womanizer, and at the end of Pot-Bouille, he married the widowed Madame Hédouin.

👗 The Ladies' Paradise begins a few years after Madame Hédouin died, leaving the store to Mouret. Besides being charming, Mouret was, apparently, a visionary and innovative business man. Under his management, Ladies' Paradise doubled its capital in a short time. Mouret's key formula was by 'tickling' women's senses and greedy desires, which was achieved through colossal artistic displays, enormous mass gatherings, sensational promotions, and generous discounts.

👗 I could imagine how fascinating it was for the Parisian women. A glamorous building, the adrenaline rush seeing the crowds (let's get those silks before the others take all!), then the beautiful colorful arrangements which makes one buy what she doesn't need. And the cheap prices too! It's enough to lure any woman to buy impulsively.

👗Moreover, Mouret strategically placed relatable departments far away from each other. It makes one who needs a dress and a coat, for instance, after buying the dress, must pass furniture, haberdashery, and children departments, before she could reach coat department. It resulted that she might be tempted to buy also a lamp, buttons, and a cute jacket for her daughter, which she didn't plan at all.

👗 Mouret could run those schemes at all because he knew women's character perfectly. Or he thought he knew, until Denise Baudu, a plain country girl who's just arrived in Paris to work, entered his life. His life changed (for the better) when he fell in love with Denise. Now, Denise is an extraordinary character - I have written about her character - she's nothing like common working-class girl, and her dignity surpasses those of bourgeois ladies. Moreover, Denise is intelligent and as visionary as - but more kindhearted than - Mouret. I imagine, if they join forces in the management, the Ladies' Paradise would become a truly formidable establishment!

👗 However, while the Ladies' Paradise enjoys its phenomenal success, many conventional shop keepers in Paris suffered from huge loss. They lost their customers because they couldn't compete with the department store, and many ended up with bankruptcy, or even ruined. This is where the Darwinism struggle of existence theme becomes relevant. These bourgeois have been used to just provide the clothing items on their store and sit relaxed behind the counters; customers would automatically come through their doors. When a rival came, they were indignant; lamenting, even cursing, but did nothing. Some, perhaps, couldn't do anything to compete with Ladies' Paradise, but few of them weren't as hopeless as they've thought. Monsieur Bourras, the umbrella shop owner, for example, could have done something to rescue his business, as I have suggested in previous post. It was, indeed, the struggle of existence - only the fittest would win.

👗 For this second read, I listened from an audiobook, narrated by Leighton Pugh. I'm glad I've done that, because the listening has enhanced Zola's picturesque description of the Ladies' Paradise to another level. Reading from printed copy might have been a bit boring (Zola's descriptions can often be dragging on and on!) But by listening, it surprisingly provided a vivid portrays of the scenes. Far from boring, I enjoyed it imenesely like I were visiting the department store myself. It was very rewarding!

👗 Finally, there is the love story of Mouret and Denise - the only romantic story you would find from Zola's Rougon-Macquart! On the whole, it has been a very satisfying reading!

Rating: 5 / 5

Re-reading Sad Cypress by Agatha Christie: A Review

🌹 This was the first time I've ever read a whole book by listening to audiobook (while occasionally reading the printed copy). And I'm glad with my decision; Sad Cypress is the perfect book to listen to. It's Christie's first time to incorporate law court scenes in her novel, and I think the scenes become more lively with a perfect dramatization from a great narrator, who is no less than Sir David Suchet!

🌹 What I admired from Suchet, is that he gives each important character their unique personalities; he can voice them in different inflection, power, and accent. Particularly whenever he voices Elinor Carlisle's reflection during court session - the soft, dreamy, and weary voice of a young woman after a tragedy.

🌹 Elinor Carlisle is accused of committing murder to Mary Gerard, daughter of lodge keeper of Elinor's wealthy aunt. It seemed to be a straightforward case - the motive (Roddy, a young man she loved and promised to marry, is smitten by Mary Gerard); the weapon (Mary died of poisoning after eating a sandwich that Elinor has prepared for an impromptu picnic) - all seemed to point out to Elinor as the murderer. Is she?

🌹 Luckily for Elinor, there's young Doctor Peter Lord, who's falling in love with Elinor, and believes in her innocent. It was him that contacted and persuaded Hercule Poirot to seek the truth. What kind of truth be revealed by Poirot? Is Elinor the real murderer? If not, who, and why?

🌹 Sad Cypress was written rather differently in structure, compared with Christie's usual method. The court scenes allowed her to break down the narrative into four phases. First, the court scene where Elinor as the accused pleaded "not guilty"; then the scene shifted to where it had begun, until Mary Gerard was found dead, and entered Poirot doing his routine interviews, interspersed with him discussing the progress with Peter Lord. Following that, the scene moved back again to the court, where the real murderer is finally revealed (not by Poirot as usual). My favorite part is the ending, where Christie tied up all the loose ends, satisfyingly.

🌹 The atmosphere of the whole story is more melancholy. There is not the usual red herring or plot twist; it's pretty straightforward, which gave Christie more space to delve into the characters' psychological struggles. Listening to audiobook only enhanced my understanding on this aspect, and made this reading a new and fulfilling experience (I still sometimes consulted the book when I didn't understand a word or two, especially when Poirot talked with his foreign accent.)

🌹 One more thing... I loved the cover art of my paperback edition, with a blur bluish image of a woman. It seems to portrait Elinor quite suitably. The artwork of Harper Collins edition with roses and thorns, seems suitable too. But you can understand its connection with the story only after reading it.

Rating: 4 / 5