🧵 In the 1930s of Winchester, there are women who dedicated their times and energies to gather every Tuesday and Thursday night to embroider kneelers, bench cushions, alms bags, etc. They formed an embroidery club, and each has her own task to embroider. The end product would then be presented during a mass, and would be placed in the cathedral. Violet Speedwell, a spinster of thirty eight years old, was the newest member. After losing, first her brother, then her fiancé during WWI, Violet has been living alone with her forever-criticizing mother. And when she's having had enough, she moved out from her home, and worked as typist for insurance company in Winchester. On one of her strolls, she entered the cathedral, and joined the embroidery club.
🧵 The embroidery club wasn't the only one Violet found in the cathedral. She became fascinated by the bell-ringers, especially the one called Arthur Knight - a sixty year old man, whose wife had been suffering from losing their only son in the WW1. The bell-ringers added more charm to this story, besides the main attraction of the embroidery club. Church bell is something you'd never think much of. You just hear it, and know someone - or some people - must have rung them on certain hour. But who would think bell ringing is such an intricate operation that needed focus, discipline, and dedication of a group of people? That the bells weren't just pulled at randomly, but forming some intricate patterns to produce a beautiful and harmonious sound? Both the broderers (that's what women who embroidered were called) and the bell-ringers were wonderful people who dedicated their time and efforts for the glory of God, and I really admired them.
🧵 Besides these themes, the story is also layered with more serious stuffs like freedom (and the lack of), independence, forbidden love, and rebellion (from convention). Like many other women post WW1, Violet could be put into the 'surplus woman' category. Neither she nor her family, or the society, knew what must be done for her future. For example, she couldn't go out alone, or else people (men) would either frown upon her, or worse, turn violent towards her. When she's going out with Arthur (okay, a married man, but surely one could go for lunch with one's friend without harm?), people gossiped. But when Violet befriended Gilda and Dorothy - fellow broderers who loved each other - people scorned at her. The 1930s was surely hell for single women to live in, for sure!
🧵 Like all Tracy Chevalier's I've read before, A Single Thread also started very slow. But that's what I liked from Chevalier. She put efforts in setting the atmosphere, then letting us readers to be immersed into the world she created, and lived with the characters, feeling both their triumphs and struggles. Although I didn't agree with Violet's act of rebellion - I think she put herself in a more vulnerable position than before - I could understand her frustration; her longing of total freedom. In a state of under-pressured, one could make reckless decision. I think that's what Violet had done. Anyway, this has been a lovely read. Though not as cheerful as you might expect, the arts of embroidery and bell-ringing are quite entertaining; not mentioning the atmosphere around the cathedral. I don't think I would listen to church bell quite the same way after this, although nowadays, there's only one bell and one ringer (at least at my local cathedral). But still, I don't think I would take the sound for granted any more.
Rating: ⭐⭐⭐⭐
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