An Afternoon Walk (1971) by Dorothy Eden #Reading1971 #20BOS26

🟢 Judging only by this book's title and the particular cover I used for the post, you would think this as a charming slice-of-life novel set in the English countryside with picturesque view, and perhaps a little bit of romance. Well, just wait until you come upon the Kindle version's cover, published in 2013, which I included below. Then, you would realize that this is actually a psychological mystery-suspense with Gothic vibes. It begins with the alluded afternoon walk. Ella Simpson, an ordinary housewife, is taking the walk with her five-year-old daughter Kitty, when they found a derelict old Victorian house with an overgrown garden. They were curious about it and while starting to imagine who had lived there - an Edith definitely, as they saw the name scratched on the window pane - and what had happened to the family, an owl screeched from an upstairs window, and startled and spooked them. When they left the house, Ella felt the uneasiness of being followed.  

🟢 Ella's husband, a salesman called Max, is coming home that day. When she told him about the old house and Edith, he only laughed it out as Ella's silliness and imagination. But his tease didn't end there. During the weeks following the incident, Max repeatedly pointed out Ella's increasing dreamy and forgetfulness, which, he believed, is normal considering the miscarriage that Ella had just had. Then mysterious things started to happen, menacing phone calls, mysterious men following her, and even a few panic-induced prank which added stress to the overwrought Ella. Is it true that she's forgetting everything? That she's imagining things? Is Max's upcoming promotion as export manager the rooted cause of it all - that his jealous colleague is behind all these, like he's always reasoning?

🟢 Fortunately, Ella's new neighbour, Booth, is sympathetic enough to listen to Ella's rumbling stories. He even accompanied her to another walk to the ruined house. Booth is a theater critic, and widower, who lives there with his sister. It is clear from the beginning that he's fallen in love with Ella, and indeed, he is a more suitable husband for Ella than her self-centered and ambitious Max, who was secretly relieved of Ella's miscarriage, as otherwise another baby would interfere with his work. Meanwhile, the newspapers and TV is full about the, first disappearing, then kidnapping, then murder of a woman, which crime was supposedly happened inside the old ruined house. 

🟢 Throughout perhaps two third of the book Eden made us keep wondering whether Ella was really the imaginative kind of woman, or was it all Max's plot to... what? Does he mean to harm his wife? Or is he covering something he ought not to do? Does it have something to do with the woman's kidnapping? However, near the end, I think it would be clearer and clearer what was happening. On the whole, this is an interesting psychological mystery-suspense. Not very mysterious, and not overly suspenseful, but quite entertaining for a comfortable reading. More importantly, it provides a insightful glimpse of that bygone era of early 1970s - which was why I read it in the first place. I am satisfied with how the story ends, and though I'm not overly fond with Ella's dreamy nature (miscarriage or not), Booth's character is what I loved most.

Rating: ⭐⭐⭐⭐

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20 Books of Summer 2026

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