Robinson Crusoe

[conclusion in English is at the bottom of this post]

361 tahun lalu, tepat pada tanggal 1 September 1651 seorang pria Inggris bernama Robinson Crusoe memulai pelayarannya yang pertama. Crusoe adalah putra sebuah keluarga pedagang menengah di Inggris. Ia tak memiliki bakat berdagang, namun kepalanya selalu dipenuhi impian untuk bertualang ke laut. Mengabaikan nasihat ayahnya, ia pun memutuskan untuk ikut dalam sebuah pelayaran. Tak lama kemudian terbukti itu keputusan yang salah, namun bukannya belajar dari pengalaman, Crusoe malah terlibat dalam pelayaran-pelayaran berikutnya—yang kadang berhasil memberinya keuntungan dari berdagang, namun kadang memberinya kemalangan seperti menjadi budak orang Moor (orang kulit hitam).

Bahkan ketika ia akhirnya berhasil memiliki perkebunan yang cukup sukses di Brazil, hasratnya untuk melaut lagi-lagi mengalahkan akal sehatnya. Maka tepat delapan tahun setelah pelayaran pertamanya yang gagal, Crusoe kembali melaut pada 1 September 1659. Pelayaran kali ini benar-benar membawa celaka, karena kapal mereka karam dalam sebuah badai, dan hanya menyisakan Crusoe seorang diri terdampar di pulau terpencil dan tak berpenghuni. Sendirian. Di tengah ancaman kanibalisme di perairan Karibia di abad 17.

Itulah inti kisah ini, yakni pergulatan hidup Crusoe selama dua puluh delapan tahun tinggal di pulau itu. Bagaimana ia bertahan hidup dengan memanfaatkan segala sesuatu yang ia ambil dari kapalnya sebelum karam, bagaimana ia membuat dengan tangannya sendiri segala kebutuhannya, mulai dari rumah, meja kursi, kuali, keranjang anyaman hingga piring-cangkir, termasuk segala alat bertukang yang ia butuhkan, hingga kano atau perahu; dan bagaimana ia bergantung pada alam.

Namun yang jauh lebih penting adalah bagaimana Crusoe bergulat dengan jiwanya sendiri menghadapi segala ketakutan, keputus-asaan, serta kesepian di sepanjang hidupnya di pulau, tanpa siapapun yang dapat ia ajak berdiskusi. Di tengah pergulatan itu, ia pun akhirnya mampu melihat Tangan Tuhan yang bekerja dalam setiap langkah hidupnya. Betapa, jauh dari sengsara, Tuhan justru telah menyediakan segala kebutuhannya dan melindunginya, serta terlebih-lebih memberikan kesempatan pada Crusoe untuk tetap hidup—ketika semua temannya mati dalam badai yang tak memungkinkan manusia untuk selamat. Dan untuk tujuan apakah semuanya itu dilakukan Tuhan? Di titik inilah pertobatan Crusoe terjadi. Bukan pertobatan yang gampang, melainkan melalui serangkaian pergulatan yang keras dalam jiwanya.

Defoe membuat Robinson Crusoe ini dalam bentuk semacam jurnal yang ditulis oleh Crusoe sendiri. Dengan sendirinya, bahasa Inggris yang dipakai adalah bahasa sehari-hari yang bisa anda bayangkan dipakai seorang pelaut dalam menulis jurnalnya, yang jauh dari sempurna dalam sintaksisnya. Karena itu, kalau anda menemui kalimat-kalimat yang agak aneh, kesalahan mungkin bukan terletak pada penerjemahan, karena versi aslinya memang tidak tertulis dengan sempurna. Inilah letak kehebatan Defoe, yang membuat anda berpikir buku ini adalah jurnal sungguhan, bukannya kisah fiksi.

Yang paling menarik bagiku adalah bagaimana Defoe bermonolog dalam jurnalnya, terutama pada bagian apa yang ia rasakan dan pikirkan. Bagian ini terasa sungguh hidup sehingga membuat pembaca seolah bisa melihat pergolakan emosi Crusoe yang sungguh…benar-benar melelahkan untuk diikuti, namun membuat kita menyadari betapa sulitnya manusia untuk melalui proses pertobatan; betapa panjang, rumit dan sabar Tuhan menuntun Crusoe pada keselamatan.

Yang jelas Robinson Crusoe mengajarkan pada kita untuk dapat mensyukuri apapun yang terjadi pada kita, bahwa justru saat kita merasa kita sedang dibawa pada kehancuran, pada saat itulah Tuhan sebenarnya tengah mengarahkan kita pada keselamatan. Seperti yang terefleksikan dalam quote ini:

“Begitu kecilnya kita melihat ke depan di dunia, dan begitu banyaknya alasan yang kita miliki untuk bergantung dengan gembira pada Sang Pencipta dunia. Dia tidak meninggalkan makhluknya sangat kekurangan, tapi dalam kondisi terburuk mereka selalu punya sesuatu untuk disyukuri dan kadang lebih dekat ke keselamatan dibanding apa yang mereka bayangkan, tidak, bahkan dibawa pada keselamatan dengan cara yang menurut mereka akan membawa kehancuran bagi mereka.”

Empat bintang bagi Robinson Crusoe yang bukan saja menyediakan kisah petualangan menarik, seru, tegang, namun mampu membawa kita pada sebuah refleksi yang mendalam pula.

Judul: Robinson Crusoe

Penulis: Daniel Defoe

Penerjemah: Maria Renny

Penerbit: Bentang Pustaka

Terbit: April 2007

Tebal: 385 hlm.

Conclusion:

How lucky I am that I saw o (delaisse)’s post about reading Robinson Crusoe on the 361^st celebration of Crusoe’s adventure, on September 1^st 2012. The book (Indonesian translation) has been on my TBR list for…perhaps a year, but I haven’t got the mood to read it. I was afraid because this book was not written in good English, so what if I could not get the meaning and couldn’t enjoy it? Reading with a friend gives me encouragement, and the moment is so perfect, so I began flipping the first pages of Robinson Crusoe, and…hey…I like it!

I think most of you already know what this book is about—or even have read it, so I won’t bother to write about the story. What impressed me is how Defoe wrote it as a sailor’s journal. He wrote in detail about how he built the cave, how he brought things from the wrecked ship, how he managed and prepared his foods, and all these stuffs—such, that if one day someone might fell in the same faith as Crusoe, he could have survived if he had learned this book before.

The best part of this book is Crusoe’s repentance process. It was a long, tedious and emotional—yet interesting—process through everything that had happened during his stay on the island. I was moved to read about how God brought Crusoe to realization that all of those happened to him were a Great Design of God; from the corn seed which cultivated on the particular soil, to the discovery of worn out Bible Crusoe had grabbed from the wrecked ship’s cabin. But more interestingly, was how Crusoe seemed to forget (too quickly) all these realizations when something bad happened (and this happened more than once). It seemed that Defoe took us to witness God’s tremendous patience towards stubborn sinners. All of these soul struggling monologs are worth to read!

I granted this book four stars, for I was a little disappointed with the ending. Actually I like Crusoe’s struggle on the island more than the adventures after he was saved. And after following Crusoe for twenty eight years, I was wondering how Crusoe seemed to be easily left the island just like that. I imagined that he should have been quite emotional when the time came to ‘say good bye’ to his home. Of course it was far from being called home, but the island could be assumed to be his island, he built the ‘houses’ himself, worked the corn plantation as well as the mini farm with his own hands; in short he has created a miniature of a country. And that had happened for twenty eight years, half of his life! But I did not see anything emotional from Crusoe when he left. Well… I was a little emotional at this part, just as how I got emotional every time I must move from an old house to a new one. I think a little hint of emotion would satisfy me more.

The adventures after he returned to civilization (fighting the wolves) seemed a bit anti-climax. The adventures were heart-pounding, but it washed away my previous emotional bond with the island and the divine experiences, which I think was the ‘heart’ of this story. More over, I wish Defoe closed the story at the ending, instead of hang it for a sequel to come. So now I’m just wondering, is Moll Flanders worth to read after this?...anyone?

Robinson Crusoe & Vanessa Mae - A Classic Challenge September: Music

When the September prompt for A Classic Challenge was published in Katherine’s November’s Autumn, I was skeptic that I would be able to post it this month, the prompt is…

…to select a piece of...

Music

...that you feel reflects the book. Modern, classical, jazz, anything, it doesn't have to be from the period of the novel but share what it is about the piece that echoes the novel in someway.

Well, that was hard because I’m not a big fan of music, though I have quite a lot of CD collections. I can’t imagine what music would reflect Gone With The Wind or Robinson Crusoe—two classics that I’ve been reading this month. However, not long after I have finished Robinson Crusoe—and the rescue scene was still lingering in my mind—one of Vanessa-Mae’s songs suddenly echoed in my ears. It was Contradanza, one of my favorite of hers in my ‘The Violin Player’ album.

I knew instantly that that song would perfectly reflect the emotion of the rescue scene in Robinson Crusoe. It was when Friday first saw three canoes approaching the island, then told Crusoe about it, who instantly arranged an ambush (with only two of them!). The process, how he was agitated to see the strangers and wanted to fight and kill them, how he armed himself and Friday and marched together to the beach; but on the way he reflected that he did not have the right to act as judge by killing them; then after seeing that they were to kill the prisoner, decided to attack them. Then finally the battle scene began…and oh…how all of those made my heart pounding so hard!

This is the song, what do you think? Does it reflect the heroic battle scene? 

And this is how the energetic Vanessa-Mae played this song in one of her concerts. I love her performance!

Vanessa-Mae (Vanessa-Mae Vanakorn Nicholson) was a British violinist who was born in Singapore, from a Thai father and a Chinese mother—a semi-professional concert pianist. Her music style is self-described as "violin techno-acoustic fusion", as several of her albums prominently feature the techno style. She began playing piano at the age of three and violin at five. At ten she joined the Philharmonia, and at twelve she joined the London Mozart Players in Mozart Bicentenary.

Reading Beloved in October

I know that October would be a busy month for most of you, especially the Classics Club members. There are a lot of read-alongs: my Gone With The Wind Read Along will be stretched to 7^th November, then there is o (delaisse)’s Gothic reading event, Jenna’s Harry Potter Read Along, Adam’s LGBT Reading Event, Tien’s Les Miserables Read Along (boy….how busy we are!). And yet, after posting my September’s meme which highlighted Nishita’s review for Beloved (Tony Morrison), Joon Ann and Listra commented on my post that they were also struck by the review and decided to add it in their Classics Club list. At the same time, I was looking for book to be read along with my few Indonesian Bloggers on October. The theme is authors who won Nobel Prizes, so it would be perfect time to read Beloved.

I then contacted Joon Ann and Listra, who were both happy to read Beloved together with me. So, this will be a kind of informal read along, no host, no event, no deadline, no pressure! (I’m still hosting GWTW Read Along, and preparing the yearlong plays reading event for November). If you are interested to read Beloved together with us, be pleased to join, it will be just a fun reading through the month. So…anyone? Just leave a comment here, so we know who will come along…:)

The Classics Club Group Check-In #1: September 2012

It’s been six month that I have been joining The Classics Club, and so far it’s been enjoyable. Especially when this club has been grown to a bigger community (221 clubbers to date), and has been taken seriously by a number of moderators. Here we are not only organizing our classics reading for five years, it’s also a place where we can meet others who share the same interests in classics. There are plenty of events and features that make classics reading more fun.

My list has been growing, from 100 at the start to 120 at this moment. So far I have been reading 19 books, I love most of them, but the most memorable one was L’Assommoir by Émile Zola. It shocked me when I finished it, and the impression lasts till now. But the most enjoyable read was probably Germinal. Yep, both are from Zola, I’m crazy about him! :)

The latest book I’ve finished is Robinson Crusoe, it was a good experience to read it, the review will be published in a couple of days. I am now reading Gone With The Wind for my read along, I am quite struggling with this one, being not in my usual reading genre. However, the read along is so far fun, there’re several of us whose pace is similar to me, and we’ve been discussing how we hate Scarlett :) or whether we are on Rhett or Ashley’s team… *poking Bzee, Chinoiseries and Vannya*

There are a lot of classics books waiting for me for next months till the end of 2012. Besides continuing Gone With The Wind during October, I’m going to read Toni Morrison’s Beloved together with Joon Ann and Listra (it’s not an official event, though). Then there’s Dr. Jekyll & Mr. Hyde I’ve been meaning to read for months.

In November, I will be hosting a yearlong plays reading event. The sign up post will be up in several days (I’m just waiting for my co-host to finish the—I hope—lovely button for this event. Hey, the button will be showed up in my blog the whole year, it’s got to be lovely, right?). Besides plays, The Scarlett Letter and Notes From Underground are waiting for me in the same month. As for December, I’m planning to read The Jungle Book and A Tree Grows in Brooklyn, and finally ended the year with Great Expectations. Sounds exciting, right? And busy… :)

While I’m not reading, I will be busy blogging! Lately I really enjoy writing character analysis for my Character Thursday weekly features. I’ve made myself to write at least two characters for each book. I’ve been waiting Saturday afternoons lately, for it’s a perfect time for me to concentrate on my writing; either reviews or one or two character analysis. Listra’s Weekend Quote is always a fun too; not mentioning other monthly meme from Classics Club and November’s Autumn A Classics Challenge. Far from burdening, these memes and features only add my excitement in classics reading, as I can explore more about them.

So, how have you been with your classics club, dear clubbers? :)

Weekend Quote 6: Robinson Crusoe

This week I am reading Daniel Defoe’s masterpiece: Robinson Crusoe, the English man who lived alone on an isolated island after a ship wrecked for more than 20 years. Actually there are a lot of beautiful quotes here, but I picked one that touches me mostly. I read the Indonesian translation version, so I quote it in Bahasa Indonesia, and will explain the meaning in English (it’s hard to find the particular passage in the original book):

“Begitu kecilnya kita melihat ke depan di dunia, dan begitu banyaknya alasan yang kita miliki untuk bergantung dengan gembira pada Sang Pencipta dunia. Dia tidak meninggalkan makhluknya sangat kekurangan, tapi dalam kondisi terburuk mereka selalu punya sesuatu untuk disyukuri dan kadang lebih dekat ke keselamatan dibanding apa yang mereka bayangkan, tidak, bahkan dibawa pada keselamatan dengan cara yang menurut mereka akan membawa kehancuran bagi mereka.”

I know that Defoe did not write this book in good English, so I can understand that the translation process would not be easy. I often felt the sentences are weird, but it’s still understandable. I tried to translate the quote in English, although I’m sure you will not find this in the original version :)

“If we look at our life, we always have many reasons to hold on to our Creator. He never left His creatures to be in a deep sorrow; even in their worst situation, they would always have something to be grateful of; and sometimes they are very close to salvation, nearer than what they think—no, they are even brought to salvation in a way that they thought it would have brought them to their ruin.”

That was a very deep reflection from Crusoe after being isolated from civilization for almost three decades. A reflection that has brought him to a realization that God was not punishing him, but bringing him to salvation. I hope we don’t have to suffer like Crusoe to learn about this….

Weekend Quote is hosted by Half-Filled Attic. Feel free to join. You can:

• Give the context of the quote
• Give your opinion whether you agree or disagree with it
• Share your experience related to the quote
• Share similar quotes you remember
• Or anything else. Just have fun with the quote.

Part 2 of Gone With The Wind

After being (too young) a widow with one baby boy Wade, the distressed Scarlett headed to Atlanta to visit Charles Hamilton’s relative: Aunt Pittypat. There she stayed with Melanie (Ashley’s wife) who was staying there too during the war. At this part Mitchell took us to see the other side of the war. Atlanta was flooding with wounded men at hospitals, and women volunteered in hospital committees to take care of them. Here we can imagine how Scarlett’s life has been turned over so quickly. Just before the war she was a young innocent girl whose purpose in life is to appear as beautifully as she could and to attract as many young men as possible. Now, she was a widow—and being a widow at that time meant women should wear black dress without accessories, and must appeared always in mourning state, and stayed away from parties and other amusement events. If in Part 1 Scarlett tried to ignore the upcoming civil war, now she must face it; she even took part in it.

Rather annoyingly, Mitchell wrote quite much about how Scarlett hated war because she must knit, sew, and work hard at hospitals, while all she wanted was dancing at the parties; and how she felt her life was unfair because she was a widow, while other girls at her age—even who was much less attractive than her—could dance and flirt freely. I can hardly keep on reading this, and must skip several pages until the situation have changed. It happened at a fund-raising bazaar, held to get fund for financing the war, where Scarlett met Rhett Butler—a blockade runner who supplied luxuries supplies for Atlanta. Mitchell gave Rhett a bigger portion at this part, we got to know him by appearance (which reminded me to stereotypical Harlequin’s male protagonists) as well as his liberal way of thinking.

Then Rhett slowly reshape Scarlett’s mind, by starting to ask her to dance at the bazaar, which naturally shocked everybody. Here the rebellious character of Scarlett started to appear, she did not afraid of what people said about her, she just wanted to do what she liked. In the middle of Scarlett’s transformation (from a mourning widow to a radiant young woman), we could see the dreadful effect of the war which was beginning to creep in. The tension grew when the Confederate armies experienced some losses, and took many lives of people whom Scarlett knew well. Now she began to realize the terrible shape of the war.

Even though Ashley did not have large portion in this part, he is still my favorite character so far. My favorite passage of this part was what Ashley wrote in his letter to Melanie—which Scarlett secretly read but failed to understand the meaning because she focused only to search any signs that Ashley still loved her… oh poor-silly-Scarlet :(

“I am not afraid of danger or capture or wounds or even death, if death must come, but I do fear that once this war is over, we will never get back to the old times. And I belong in those old times. I do not belong in this mad present of killing and I fear I will not fit into any future, try though I may. I do not know what the future will bring, but it cannot be as beautiful or as satisfying as the past.”

When eventually the armies went home for Christmas, poor Scarlett (once again) began her longing for Ashley’s attention to make sure whether he still loved her. She could finally have a moment to speak privately, only to hear that Ashley begged her to look after Melanie during his absent. After that Confederate kept losing battle, and in one of it Ashley got captures by the Yankee while Melanie was getting pregnant. Life began to get harder for Scarlett… And meanwhile, prices began to rise, foods were rare, and Atlanta struggled from the war. This was what Rhett has tried to explain to Southern people who took war as a glorious way to prove that they were better than the other. Here Scarlett began to understand the meaning of Ashley’s letter, for he had the same idea as Rhett’s about the war. When Scarlett asked Rhett, why Ashley kept fighting at the war while he has already known the truth, Rhett simply said that it was because Ashley’s a gentleman. Well, I can’t say who’s right or wrong, for I always admire people who hold their principles, but if I had to choose between Rhett and Ashley, I would choose Ashley :) At least until this Part 2…

Part 2 is a slightly better reading than part 1, with the war coming. Scarlett still showed her selfish, indifferent character, but her life was not full of fun anymore, now she began to struggle from the war—although it was all still in her own mind frame. I was still often annoyed at her, but I really hope she would gradually learn her lessons and transform to a more reasonable woman in next parts!

What about you? How do you think about this Part 2? Don’t forget to share your thoughts in the Update Posts page, and see what others thought about it.

Maheude in Germinal

Among many female characters on Germinal, the most interesting one is Maheude. Maheude is a wife of a mine worker named Maheu. Actually Maheude was only in her beginning of forty years old, however poverty, child laboring and hard-working has made her body loose and looked like she was fifty. Maheude represented women on the lower social class in 19^th century (in France in this case). Like other women, Maheude went to work at the pit since she was very young. Then after having seven children, her strength was decreasing and became not too productive for the Company so that she was forced to stay at home. Being the household manager was not an easy thing. Maheude should manage to feed ten mouths (the father, the mother, the grandfather and seven children) from whatever they earned from the mine, and it was sooo very little that they often must ask for credit from the groceries store.

In the early chapters, I have asked myself why the Maheus kept ‘producing’ children if they could hardly feed them all? I realized then that part of the purpose of having children was to bring home as much money as they can get by sending the children to pit when they grown up enough to do it. I know it sounds weird and unfair, but that’s how they survived against the extreme poverty at that time.

Maheude in 'Germinal' movie

Maheude was a woman with a strong character and a better moral compared to other women around the pit. Despite of her poverty, she still had a pride not to beg for anything, a principle that she persistently hold to; for Maheude, hoping for other’s generosity by telling them how hard your life was, was not begging. When Maheude received a bag of fine clothes from a rich family, while what she needed most was food, she could not ask for money to buy food, because it would be begging. The shopkeeper of a grocery store near the settlements was a playboy, he used the women’s poverty for his own benefit. When a woman asked for credit, he would grant it if she or her daughter agreed to sleep with him. When Maheude came with no money to have groceries, she was forced to give the man a false promise of sending for her daughter Catherine to him sometime, a promise that she never kept and resulted to no more credits from the store afterwards, even when the families left in hunger.

In short, it was Maheude that protected and supported the family in the whole story. Unfortunately, it was also Maheude who suffered the most from the miners’ strike. **spoiler alert** Maheude lost, one after another, her husband and three children, while another son got limped from an accident, which meant he brought home less money. Here you would see Maheude’s extremely strong personality; instead of breaking down, she managed to keep living her life. **spoiler ends** She knew how to put first things first. Although at first Maheude—in her rage towards the Company who put them all into extreme poverty—detested the idea of going back to work until the Company has fulfilled their requisition, in the end she obliged to act the opposite. Not only letting the children back to work, Maheude herself must get to work, even if it was the lightest job with the lowest wage in order to survive.

© Bridgeman Art Library / Bibliotheque
Nationale, Paris, France /
Archives Charmet [source]

What I like most of her was despite the great suffers she must endured because of the strike, Maheude never hated Étienne who had transplanted the idea of striking in the miners' minds at first place. She did not treat him badly after the event, like others did, she kept the friendship with him. Other than that, it’s only Maheude—a woman who suffered the most—who still hold a vague hope of a better future, who rejected to surrender just like that. It is Maheude who could see that it was just the beginning of something bigger than that, the germination!

I would always see Maheude as a very brave woman, who never lost hopes for the better, and hold to her principle to the last. She was poor in life but not poor in soul.