π’ Ella's husband, a salesman called Max, is coming home that day. When she told him about the old house and Edith, he only laughed it out as Ella's silliness and imagination. But his tease didn't end there. During the weeks following the incident, Max repeatedly pointed out Ella's increasing dreamy and forgetfulness, which, he believed, is normal considering the miscarriage that Ella had just had. Then mysterious things started to happen, menacing phone calls, mysterious men following her, and even a few panic-induced prank which added stress to the overwrought Ella. Is it true that she's forgetting everything? That she's imagining things? Is Max's upcoming promotion as export manager the rooted cause of it all - that his jealous colleague is behind all these, like he's always reasoning?
π’ Throughout perhaps two third of the book Eden made us keep wondering whether Ella was really the imaginative kind of woman, or was it all Max's plot to... what? Does he mean to harm his wife? Or is he covering something he ought not to do? Does it have something to do with the woman's kidnapping? However, near the end, I think it would be clearer and clearer what was happening. On the whole, this is an interesting psychological mystery-suspense. Not very mysterious, and not overly suspenseful, but quite entertaining for a comfortable reading. More importantly, it provides a insightful glimpse of that bygone era of early 1970s - which was why I read it in the first place. I am satisfied with how the story ends, and though I'm not overly fond with Ella's dreamy nature (miscarriage or not), Booth's character is what I loved most.
Rating: ⭐⭐⭐⭐
Read for:
20 Books of Summer 2026



















