🏺 Jungmin has just quitted her job as broadcasting writer, and is now living as a recluse at her apartment in Chestnut Burr Village (what a name for a village!). After days of holing-up, without ever once going out, Jungmin suddenly emerged. She wanted to find a cafe, but stumbled instead upon a quiet pottery studio. The owner invited her in, and what with a cup of coffee and fresh smell of clay, Jungmin felt calm and composed for the very first time after a long while. And so, it's not a wonder that Jungmin started to learn about pottery.
🏺 As the story unfurls, we get to know more of the other members of Soyo Workshop, and most importantly what Jungmin had had experienced to shape her like that. I loved the interaction of the owner, Johee, and the other members: Jihye, Gisik, Jun, and Hyoseok. They all had a troubled past, and were struggling to build a future. Working the pottery wheel seems to be what everyone needs to shake off the past, while shaping a way to better future. In short, pottery was portrait here, not only as a hobby or pastime, but a way to embrace life.
“Whether it’s pottery or life, it takes more than one attempt for them to come out right. And all that effort makes the end product more valuable, too.”🏺 As is in most Japanese feel-good novel, the pace is quite slow. I enjoyed it every time they work on the pottery; I could almost see the end products. It's pretty satisfying when they sold out all the vases, dishes, and bowls during a bazaar. And I agree, that a handmade pottery product, no matter how imperfect it was, is a perfect gift to someone who means a lot to us - it's private and unique; especially when the dish or vase had been made with that person always on the maker's mind.
🏺 As a feel-good novel, this is actually a bit dark. What Jungmin had experienced is deeper than what I had thought at first); it's a layered psychological problems that I think need more than pottery to heal. But on the whole, it's a slow-paced heartwarming read. I loved the end!
Rating: ⭐⭐⭐⭐
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