Thursday, June 21, 2012

Jerry Barker on Black Beauty


Jeremiah ‘Jerry’ Barker
Black Beauty by Anna Sewell


He was not a gentleman, nor yet one of the loud, flashy sorts that called themselves so. He was a rather small man, but well made, and quick in all his motions. I knew in a moment by the way he handled me that he was used to horses; he spoke gently, and his grey eye had a kindly, cheery look in it. It may seem strange—but it is true all the same—that the clean, fresh smell there was about him made me take to him. There was no smell of old beer and tobacco, which I hated, but a fresh smell as if he had come out of a hay loft.

It was how Black Beauty first saw one of his favorite masters. His animal instinct did not betray him at Beauty’s first meeting with him, as Jerry Barker was indeed a brave and kind hearted man. Jerry was a London cab owner who drives his own carriages and takes care of his own horses. Jerry is a man who always follows his own principle. He didn’t do his job on Sundays because it is the day he dedicated for God and family, and that means he also give his horses time to relax and enjoy a little freedom—which every man and horses need.

Jerry always treat his horses as if they were human, not a machine, like most people treated them. He would bravely stand for horses’ cruelty, as reflected in his doctrine:

My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and yet do nothing, we make ourselves shares in the guilty.”

Actually I don’t fancy a perfect character, however I chose Jerry here because we can learn quite a lot from his manner. Jerry, for instance, does not like to speed up his cab just because some passengers were late by his own fault. However, when an emergency happened, and a poor woman needed to get as quickly as possible to her mother’s house, Jerry would be pleased to bring his cab at full speed just to give a help to someone need it. From this example, I feel that it’s not only money that Jerry is after for, like what he likes to sing,

“Do your best,
And leave the rest,
Twill all come right
Some day or night”



Jerry always does what he thinks right, and believes that at the end God will take care of him ‘when the time is right’. In this book, and I believe it happens in real life too, something good finally come to Jerry and the family (and Black Beauty too!). What a personage!


The Devil's Identity Revealed: Dorian Gray Chapter III


(p. 40-54)

The third chapter of The Picture of Dorian Gray turned out to be not so full of idea as the first two chapters. Yet, it's still interesting!

What I like…

Nothing impressed me in this chapter, but I kept imagining Lord Henry’s appearance through this chapter. So, I browsed the internet and found one of the actors who had been performing Lord Henry, do you think he reflected his character? I haven’t watched the movie…



What it's all about...

It's mainly contained of conversations from the part of Lord Henry. From his interview with his uncle, it's revealed that Dorian Gray was the grandson of a wealthy Lord Kelso, who had a very beautiful daughter—Dorian's mother—Margaret. The young woman strangely picked a poor man as her husband. Her father detested his son-in-law, he then paid someone to make his son-in-law killed. One year later little Dorian Gray entered the world as beautiful as his late mother who soon died. Dorian grew up under the power of his grandfather.

The second conversation took place in Lady Agatha's, Lord Henry's aunt, where Dorian Gray became one of her 'golden son'. As usual Lord Henry attracted some of his listener with his immoral ideas. Dorian Gray became more fascinated to Lord Henry that he began neglecting Basil, to be with Lord Henry.

My random thoughts...

The devil's identity revealed!
On chapter III, Lord Henry purpose of influencing Dorian became transparent. He deliberately dominated Dorian's mind and soul. I think he was the real devil who was happy to capture a poor soul he could reshape for his own pleasure. L

Between Basil, Dorian Gray and Lord Henry
I just realized one thing. Basil had surrendered himself in the domination of Dorian Gray, without any consciousness from the latter; while at the same time Lord Henry had also captivated Dorian Gray into his power without the victim's consciousness. Isn't that interesting?

Are you wiser?
At the lunch at Lady Agatha's, Lord Henry also talked about the secret of being young (again). It is by making the same follies as we did when we were young; a dangerous suggestion which, of course, fascinated young Dorian just more. I think Wilde would like to remind those who praised youthfulness, that life has its own stages, and that is the most natural process. We made mistakes, and learned from them to be better in the next stage. Only stupid and unwise people who wants to get back to their past, doing things that they know was a mistake. And to me, people who keep doing the same mistakes are they who never grow old (maybe older in age, but not in mind). So, again, people who worship beauty and youthfulness are brainless (just like Lord Henry said before).

What I don't quite get it...

The conversation about American people—especially women—whom they believed had endangered the 'territory' of English women (in the context of marriages). I don't get what Wilde wanted to speak to us in this conversation. Was it really the common social problem at that era? It was certain however, that English people seemed to underrate American.

The characters development

Here the characters were not developed so much, so I will skip this to next chapter!

Wednesday, June 20, 2012

I Would Give My Soul For That: Dorian Gray Chapter II


(p. 22-39)

What I like...

I always like when a book is revealing the beauty of nature. And Oscar Wilde spoiled his readers with many of it throughout this book...

"They rose up, and sauntered down the walk together. Two green-and-white butterflies fluttered past them,..."  

Two butterflies fluttered together..

"...and in the pear-tree at the corner of the garden..."



....a thrush began to sing."



What it's all about...

Despite of Basil's reluctance to introduce Lord Henry to Dorian, faith had interfered that the two of them must meet each other and befriended. Just as Basil afraid of, Lord Henry took no time to influence Dorian's mind about youth, about how terrible it is for human when they became old.

At that time Basil's painting has nearly finished, and when Dorian saw it, he envy it that the picture could stay young while he would grow older. He wished that he could change places with the portrait, and will give everything to make it possible

"How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June..." == (how interesting it is that Dorian Gray’s setting is on the same month when I am reading it! J)

"I would give my soul for that"

At last Lord Henry invited Dorian and Basil to the theatre. And despite of Basil's objection, Dorian insisted to go with Lord Henry.

My random thoughts...

Taking advantage of one's purity
I think both Basil and Lord Henry had somehow taken advantage of Dorian's purity and innocence. Lord Henry, using his language skill, has manipulated Dorian's soul to overly worshiping youthfulness. On the other hand Basil, who became obsessed (somehow related to the art) to Dorian, wished to protect the lad from altering for his own (Basil's) good. It's revealed from what Basil asked Lord Henry at the end of chapter I: "Don't take away from me the one person who gives to my art whatever charm it possesses; my life as an artist depends on him".

Pure beauty = innocence = stupidity
In chapter I Lord Henry has mentioned that beauty = brainless. Perhaps he was right. Don't get me wrong, I think 'beauty' here had little to do with just appearance, but more with innocence or purity. Innocent person is easier to get influenced by others, and the impact of bad influence is often stronger than the good one.

"All influence is immoral"
"Because to influence a person is to give him one's own soul. He does not think his natural thoughts (...). He becomes an echo of someone else's music, an actor of a part that has not been writen for him."

Here Wilde began to emphasize how powerful an influence is to man's soul. We never know how we had said randomly to others will bring impact upon them. On the other hand, it is almost frightening how we could easily be influenced by society out of our consciousness.

I'm curious to know...

What is Lord Henry's real purpose to plant the idea of youthfulness in Dorian's mind? Merely personal satisfaction to ruin one's purity, or is it jealousy to the Dorian's beauty?

The characters development...

Lord Henry -- was not just indifferent to other's feeling, he became wicked too. He purposely influenced Dorian's mind. When Basil asked him (rather) politely to go, he insisted to stay by challenging Dorian: "Am I to go, Mr. Gray?" with (I imagine) a devilish smile.

Dorian Gray -- it's interesting that Dorian's character altered in just one chapter. From his first encounter with Lord Henry, I can see the shy Dorian Gray with his cheek blushing and his shy manner. But after Lord Henry influenced him in one (one!) conversation, his cheek was flushed, not by shyness but by anger, when he thought Basil loved art better than his friend.

It only showed the power of influence in our life! 

Black Beauty Visual Tour: A Classics Challenge June

The June prompt for A Classics Challenge is about Visual Tour. Here is the task:

Sometimes we come across a scene or description that creates such vivid imagery it moves us. Select a quote from the Classic you're currently reading and create a visual tour. 

And here are where my imagination has taken me to from the classic I just finished: Black Beauty by Anna Sewell. [click the image to enlarge]

"The first place that I can well remember, was a large pleasant meadow with a pond of clear water in it..." ~p. 23



"...Some trees overshadowed the pond, and rushes and water-lilies grew at the deep end..." ~p. 23



"At the top of the meadow was a plantation of fir trees; and at the bottom, a running brook overhung by a steep bank." ~ p. 23



"It was a great treat to us to be turned out into the Home Paddock or the old orchard; the grass was so cool and soft to our feet; the air was so sweet, and the freedom to do as we liked—to gallop, lie down, roll over on our backs, or nibble the sweet grass—was so pleasant. Then, as we stood together under the shade of the large chestnut tree, was a very good time of talking." ~p. 40



"I had been driven with a bearing rein by the dealer, and I hated it worse than anything else (...) You, who never had a bearing rein on, don't know what is is; but I can tell you it is dreadful. (...) I like to toss my head about, and hold it as high as any horse; but you can fancy how it would feel if you tossed your head up high and were obliged to hold it there for hours together, not able to move it at all, except with a jerk still higher; and all this time your neck was aging till you did not know how to bear it." ~p. 46



"Dinah's family lived in a small farmhouse up a green lane, close by a meadow with some fine shady trees; there were two cows feeding in it." ~p. 156



"The winter came in early with the great deal of cold and wet. (...) When it is a dry cold, a couple of good thick rugs will keep the warmth in us; but when it is a soaking rain, they soon get wet through and are no good." ~p. 157

horse cab in rain


Tuesday, June 19, 2012

The Victorian London from Sketches by Boz: The Streets & Shops

This is my third post about Victorian London, inspired by Dickens’ Sketches by Boz, for the Victorian Celebration. If this is your first visit, you can find our two previous excursions to Victorian London, where you can find The Amusements of 19th century Londoners in one of them, and come to learn The Occupations of Londoners at that era, in the other. Today I will take you to see few famous Streets of 19th century London, as well as Shops where mid-class Londoners used to spend their money at. Here they are… [click the picture to enlarge]

The slum district of Seven Dials

Henry Rushbury  Seven Dials, London in 1744 circa 1930 [source]

Seven Dials is a small but well-known road junction in the West End of London in Covent Garden where seven streets converge. At the centre of the roughly-circular space is a pillar bearing six (not seven) sundials, a result of the pillar being commissioned before a late stage alteration of the plans from an original six roads. [wiki]. However, in the early of 19th century, Seven Dials became a slum district of London, which Dickens described as:

“The stranger who finds himself in the Dials for the first time...at the entrance of seven obscure passages, uncertain which to take, will see enough around him to keep his curiosity and attention awake for no inconsiderable time...” ~p. 69.

Dudley St., Seven Dials, 1872 [source]


Second hand wearing apparel shops in Monmouth Street

In 19th century, Monmouth Street is famously known as the emporium of second hand wearing apparel. In this chapter, Dickens specifically brought our imagination to what had happened in a second hand shoes store. But for now, let us entertain ourselves with this picture of a second hand clothes store:

source


Pawnbroker shop


Pawnbrokers, referred to as ‘uncle’, were the poor person’s bank. Clothing and jewellery were handed over in exchange for a loan. If the loan was not repaid within a year, ‘uncle’ could sell the goods. By 1900 there were 700 pawnbrokers in London. Forfeited articles for sale in this window include Sunday best clothing, wedding gifts and ornaments. [source]

the counter in a pawnbroker shop

If you look at the image, the counter at the customer side are divided into several small sub-counter, separated each other with partition. It is built like that to give privacy for people who don’t want others to know that they had a transaction in pawnbroker shop (who knows the guys next to them are their acquaintances?). Pawnbroker shops usually have two entrances. The front one was for shoppers who wanted to buy the sold goods in fair price, the back entrance was for customers who wanted to exchange their belongings for some loan.


The front entrance of pawnbroker shop with its glass window display

Maybe George Cruikshank illustration for Sketches by Boz can reflect the more real atmosphere inside a pawnbroker shop...



Oyster shops

In the 19th century, there were three oyster capitals in the world: London is one of them, with Paris and New York as the others.

I found this in a blog post about oyster shop in 19th century in London: “Astonishing though it is now, at the beginning of the 19th century oysters were cheap and very much a working class food. I suppose the change must have been well underway when Sheeky's oyster bar opened at the end of the 19th century. Joseph Sheekey was the market stall-holder who in 1893 was graciously allowed by Lord Salisbury to sell fish and shellfish on his new manor of St Martin's Court, provided he served meals to Salisbury's theatre-going pals. These days its reputation seems a little variable.” [source]

The front of an oyster shop looked perhaps like this: 

The Whistling Oyster [source] 

And this was a stall selling oysters.




Gin shops

A gin palace is an English name originally for a lavish bar selling gin, later transferred by association to late Victorian pubs designed in a similar style. In the 18th century, gin shops or 'dram shops' were just small shops (often originally chemist's shops as gin originally had medicinal associations) that sold gin mostly to take away, or to drink standing up. In the late 1820s the first 'Gin Palaces' were built, Thompson and Fearon's in Holborn and Weller's in Old Street, London. They were based on the new fashionable shops being built at the time, fitted out at great expense and lit by gas lights. They were thought to be vulgar at the time, although hugely popular. [wiki]


From Sketches by Boz:  “The gin-shops in and near Drury-Lane, Holborn, St. Giles's, Covent-garden, and Clare-market, are the handsomest in London. There is more of filth and squalid misery near those great thorough-fares than in any part of this mighty city.” For his sketch, Dickens picked a large bar in Drury Lane as a setting of a gin shop.

... All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left.

The Dram-drinker by Kenny Meadows [source]

From both images, I see that children are allowed to be in gin shops with their parents! What a bad habit they had already been introduced in their young age!


Drury Lane

Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. In the 17th century it was the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia, but by the 18th century Drury Lane had become one of the worst slums in London, dominated by prostitution and gin palaces. [wiki]


I especially picked Drury Lane among other streets, because this street appeared quite often in Dickens’ sketches. The scenes of both gin shop and pawnbroker shop were located in Drury Lane, and the story in which Dickens described about oyster shop had also mentioned Drury Lane (but it’s not the oyster shop’s location).

Louis Rayner [source] 

Note: In the process of searching an image of Drury Lane, I came across this site which is exhibiting the paintings of Louise Rayner. The theme is about 19th century London, and they are all very beautiful!!! Louise can picture the scene as if we are there ourselves. So, before we end our today’s outing, let me take you to London on 19th century through these lovely pictures….

Don’t forget, next week is our last outing to Victorian London. I will prepare some means of transportations so that you don’t have to tiring yourself during our excursion J. See you next week!



The Painter Who Was Obsessed To The Model: Dorian Gray Chapter 1


(p. 7-21)

After finishing chapter I of Oscar Wilde's The Picture of Dorian Gray, I realized that I have gained much more from the first 14 pages than I have done from any other book's first chapter. There are a lot of things l'd like to take note, that finally I decided to write a post for each or every few chapters of Dorian Gray—it would be more than ten posts, and I hope you won't get bored to read the titles over and over again J. This time I won't just read and flip through pages, but I want to savour every sentence and to digest every thought I meet with. Dorian Gray really deserves it, especially because it is a bildungsroman. These posts will also be the place I can keep my favourite quotes.

So, here is my post for the first chapter.

What I like...

Oscar Wilde opened the first chapter in a beautiful way, he combined two senses to describe the atmosphere at Basil Hallward's studio.

"Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window (...) The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the struggling woodbine, seemed to make the stillness more oppressive." 



This is what I imagine as the studio
  
The beauty of honey-coloured laburnum 
[source]

What it's all about...

Lord Henry encouraged his friend Basil to exhibit his 'best work' of painting, but Basil refused the idea because he has 'put too much of himself' in the picture. "I am afraid that I have shown in it the secret of my own soul."

It's a picture of Basil's new young friend, Dorian Gray, in whose personality Basil admitted that he saw a new manner of art. Dorian had influenced Basil such greatly that Basil was attached to him since their first meeting. Now Lord Henry was very curious, what kind of personality that has 'bewitched' his friend Basil who has always been an independent, self-natured man.

My random thoughts...

The reflection on our own art works
"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself."

I know it is true, just like how a book being a reflection of the author personality, mind and mental state when he wrote it. That's how we came to know an author, by his/her writings. I think we can also feel close and very familiar to our blogger (or twitter) friends whom we never meet, because and from of our writings. 'You are what you write'.

Beauty vs Intellectuality
"But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face."

Lord Henry thinks that a person with a pure beauty can't be a thinker, thus one can't own both beauty and intellectuality. That's why Lord Henry sees Dorian Gray as Narcissus and brainless.

"There is no doubt that Genius lasts longer than Beauty." and that's why we filled our minds with as much knowledge as possible (rubbish and facts, said Lord Henry), but in the end it will just make us 'dreadful things' and took away our beauty. Here Lord Henry was quite sure that Basil will someday get tired of Dorian Gray, which Basil disagreed.

What I need to digest more...

  • How a singular man's personality can make us sees things (visually AND abstract idea) in a different and new perspective?
  • How a beautiful man like Dorian Gray can dominate an independent man like Basil?
  • Why Basil was afraid that the world will see his secret in his picture? What is the secret?


The characters…

Basil Hallward -- the painter, independent, self-natured man. After meeting with his model (Dorian), he became obsessed to him, and let himself being dominated by Dorian.

Lord Henry Wotton -- Basil's friend, easy going, cynical, have an expressive manner and different way of seeing life.


Monday, June 18, 2012

Sketches by Boz by Charles Dickens


[Conclusion in English is in the bottom of this post]

Andai pada musim gugur 1832 itu seorang penulis muda—dengan gemetar ketakutan—tidak jadi memasukkan naskah tulisannya ke kotak surat gelap di sebuah kantor, dan andai sang Editor yang kemudian membacanya tidak kemudian menerbitkannya di The Monthly Magazine dengan judul ‘A Dinner At Poplar Walk’, maka dunia mungkin takkan pernah menikmati karya-karya menawan seorang Charles Dickens. Ya, penulis muda yang kuceritakan tadi adalah Charles Dickens. Dan dari naskah awal yang diterbitkan itu, mengalirlah pesanan tulisan berupa sketsa jurnalistik yang mengisi The Monthly Magazine secara berkala. Saat itu sang penulis menggunakan nama pena “Boz”. Di kemudian hari, sketsa-sketsa Boz akhirnya diterbitkan sebagai buku yang aku review ini: Sketches by Boz.

Sketches byBoz adalah cerita-cerita pendek yang merupakan ilustrasi dari hasil observasi Charles Dickens terhadap denyut kehidupan kota London saat itu (jaman Victoria), mulai tahun 1833 hingga 1836. Dickens menulis tentang banyak hal, dari suasana jalanan kota London dari pagi hingga malam hari, tempat-tempat hiburan yang diminati penduduk London, toko-toko, kebiasaan-kebiasaan orang-orangnya, sampai ke masalah-masalah yang sepele maupun serius yang sering mereka hadapi. Semuanya ia tuliskan dengan gayanya yang khas, kadang lucu yang sinis, kadang juga lucu yang membuatku sungguh-sungguh terbahak.

Membaca Skecthes by Boz kita jadi seolah hidup juga di London abad 19. Kita jadi mengenal tipe dan cara pandang orang-orang saat itu, gaya berbicara mereka, singkatnya budaya mereka. Inilah yang paling menarik dari buku ini, karena tidak gampang dengan sabar melahap 60 cerita pendek dengan gaya bertutur Dickens yang penuh kalimat-kalimat panjang. Dan salah satu kelemahanku adalah selalu tidak sabar membaca cerita pendek, sehingga kenikmatan membaca buku ini menjadi sedikit berkurang. Yang jelas, Sketches by Boz menawarkan perkenalan pertama pada karya Charles Dickens, karena dari variasi cerpen-cerpen di buku ini, kita akan menemukan humor sinis yang menyindir keabsurdan sosial jaman itu, dan melankoli dalam ketidakadilan yang kelak menjadi tema utama karya-karya besar Dickens berikutnya.

Tiga setengah bintang untuk Boz!

Conclusion:

Being his earliest work, Sketches by Boz has already shown Dickens’ witticisms and satires that we would find later in most of his works. Consisting of 60 short stories, Boz is a combination of literary journalisms and fictional stories, as the result of Dickens’ thorough observation of his surroundings. Sketches by Boz was first published as installments in The Monthly Magazine from 1833 to 1836. Later on, the sketches were sorted and categorized under four big parts: Our Parish, Scenes, Characters, and Tales, to be made into a book. Outside the four parts, there are three more collections of sketches, and the book is finally closed with Familiar Epistle From A Parent To A Child, which is—no doubt—something Dickens wrote for one of his children. So far, the epistle is one of my favorites from all sketches.

The tale of The Black Veil—which is the most touching of all stories—is also one of my favorites. It depicted the faith of a widow after her son hanged for a crime he committed. The touching part is when the young surgeon who attained the case, being a generous and kind hearted fellow, was willingly to take care of the widow now and then, despite of his unfruitful business. The widow on the other hand, always prayed heartily for her young supporter, that at the end her prayers was heard by the Heaven and resulting a good business for the young surgeon in return. A tale of love always touches my heart!

The most intriguing tale is perhaps The Drunkard’s Death. It’s about a drunkard who neglected everything in his life for drinking. Dickens wanted to speak about the risk of alcohol which can lead men and women into poverty and death. This tale is very similar to Emile Zola’s L’Assommoir, although Dickens wrote it more on the melancholy aspect, rather than its brutality as depicted by Zola. It’s interesting to see two different ways of writing, from two great authors, for the same topic at the same era. But of course, in this case, my winner is Zola.

I think the main strong point of this book is Dickens’ thorough observation, especially on human’s character. I am only imagining, if I was being in a dinner party where Dickens was also invited; would I become his observation object too? And if I happened to subscribe The Monthly Magazine, would I find myself illustrated on one of his sketches few days after the party? What would he write of me? That’d be interested! But of course I wouldn’t know whether Dickens was going to write good things or bad things about me. Anyhow, I think, people cannot get angry with him for writing about them. In worst cases, I think they would only put sour smiles on their lips. Or it is most likely that they would laugh heartily on their own sketches. Like Dickens said in ‘The Pantomime of Life: “A pantomime is to us a mirror of life; nay more, we maintain that it is so to audiences generally, although they are not aware of it, and that this very circumstance is the secret cause of their amusement and delight.” For people who lived at that certain time, Sketches by Boz is also a mirror of their own everyday life, either they were aware of it or—most likely—not. Boz was like a pantomime, where people can see and laugh at themselves. And that’s why they love Boz. Boz was something new and different than any other Victorian readings when it is first published. And the success of Boz then brought further success for Charles Dickens, until today!

Three and a half stars for Boz, as although it’s a unique work, Sketches by Boz is sometimes boring. Anthologies have not been my favorite, so maybe this is why I cannot put a high appreciation on Boz. It is good but unfortunately flat…

Title: Sketches by Boz
Author: Charles Dickens
Publisher: Oxford University Press
Published: 1987
Pages: 688

*This is my 2nd review for The Classic Bribe 2012*