Friday, June 22, 2012

Literary Classics Challenge - Friday Progress (3)


This week is my most productive week for the Literary Classics Reading Challenge so far. I have done with Black Beauty, and it has been a very relaxing moment after reading a Dickens J. I’ve been enjoying Black Beauty for only 2 or 3 days, mostly in the weekend.

Then I started a new week with a new book with a fresh excitement. Oscar Wilde’s ThePicture of Dorian Gray was my choice, and I’m glad I’d picked this book. Dorian Gray is a kind of psychological story, and I always love fictions which talk a lot about psychological aspects. Besides that, I’m in the mood for reading Victorian books for A Victorian Celebration. Dorian Gray is also a perfect choice for Indonesian Book Blogger’s group read of this month theme: gothic, and will be counted as my ninth classics for Classics Club Project.

At first I thought Dorian Gray will be quite fast, for it is only 256 pages. However after finishing chapter 1, I soon realized that this is a book that you must digest slowly to be able to get the best of it. If book is a drink, Dorian Gray is a cup of coffee…instead of drinking it in gulps, you should take it sip by sip, while savouring the bitter-sweet taste, feeling the warmth liquid flowing through your throat and inhaling the sweet fragrance that come into your nostrils. There are many aspects in a cup of coffee that you can enjoy, which, if you drink it in a hurry, you will lose the sensation! J (writing this made me crave for a cup of coffee!). 


And so, I decided to read Dorian Gray chapter by chapter, and write a post for each chapter (sometimes I will write for 2 chapters in a post) right after I read the chapter. I won’t leap to next chapter before I sit down and pour all my thoughts of what I have read in my PDA (I usually do it after dinner), to be posted the next morning. That way, I can read a new chapter in the next morning with a new excitement.

Reading AND writing takes a long time indeed, and I haven’t had much time lately, but I think it’s worth the satisfaction I got from this book. Anyway, I can always catch up the schedule on weekend, and hope I can finish it by end of this month. If you are curious with The Picture of Dorian Gray, you can take a look at my chapter posts on my sidebar. But I warn you, you might find spoilers on them!  

Well, that’s my week, what about you, how is your classics reading this week?

Life Is Art: Dorian Gray Chapter IV

(p. 55-71)

What I like...

The first scene to open this chapter is in Lord Henry's study room with a small library, something I've been longing to own.

"It was a very charming room, with its high-panelled wainscoating of olive-stained oak, its cream-coloured frieze and ceiling of raised plaster-work, and its brickdust felt carpet strewn with silk long-fringed Persian rugs."

Of course I can't find a picture exactly like what was described in the book, but this image can quite satisfy me...

[source]


What it's all about...

Dorian came to tell Lord Henry about a theatre girl with whom he fell madly in love. Sibyl Vane is a beautiful girl and a good actress. Dorian told Henry how he met her, and this chapter was closed with a telegram announcing that Dorian would soon marry Sibyl.

My random thoughts...

Cynical thoughts about women and marriage
This chapter only strengthens my idea of how 19th century society thought about women. Lord Henry had also mentioned something cynical about marriage in chapter II. Quoted from Lord Henry:

"Men marry because they are tired; women, because they are curious; both are disappointed."

"No woman is genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of mind over morals."

And that's all because women were uneducated at that time! It really annoying me to read it, and I think this is the point where I began to dislike Lord Henry. A lot.

Unromantic
Not only detested marriage, Lord Henry also saw love and romance in a negative point of view.

"When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others."

After reading Dickens with his Romantic style, it's quite striking to find how shallow Wilde has described about love.

I also think Dorian's love was just false passion; he adored Sibyl for her beauty, not for herself. Again here, Dorian worshipped something mortal, the flesh instead of the soul.

The psychological study object
It became clearer that Lord Henry was interested in Dorian Gray as an object of observation on human psychological.


“It was delightful to watch him. With his beautiful face, and his beautiful soul, he was a thing to wonder at. It was no matter how it all ended, or was destined to end.”

Paradox
I just realized how Oscar Wilde loved paradox! There are many throughout the book, but I will quote one of them,

"A great poet, a really great poet, is the most unpoetical of all creatures."

Life is art
Lord Henry looked at life as we looked at art. For him, life was the real work of art. From this I began to see the flickering light of what this book is all about; I think I have found the red thread between what Lord Henry did to Dorian and its relation with the picture. It's only a flickering light, though, but I hope to see the full shining at the end...

What I still don't get it...

"To note the curious hard logic of passion, and the emotional coloured life of the intellect--to observe where they met, where they separated, at what point they were in unison, and at what point they were at discord."

“He was like one of those gracious figures in a pageant or a play, whose joys seem to be remote from one, but whose sorrows stir one’s sense of beauty, and whose wounds are like red roses.”

The characters development...

There's nothing much to say about this, I better keep it for next chapters...

Thursday, June 21, 2012

Jerry Barker on Black Beauty


Jeremiah ‘Jerry’ Barker
Black Beauty by Anna Sewell


He was not a gentleman, nor yet one of the loud, flashy sorts that called themselves so. He was a rather small man, but well made, and quick in all his motions. I knew in a moment by the way he handled me that he was used to horses; he spoke gently, and his grey eye had a kindly, cheery look in it. It may seem strange—but it is true all the same—that the clean, fresh smell there was about him made me take to him. There was no smell of old beer and tobacco, which I hated, but a fresh smell as if he had come out of a hay loft.

It was how Black Beauty first saw one of his favorite masters. His animal instinct did not betray him at Beauty’s first meeting with him, as Jerry Barker was indeed a brave and kind hearted man. Jerry was a London cab owner who drives his own carriages and takes care of his own horses. Jerry is a man who always follows his own principle. He didn’t do his job on Sundays because it is the day he dedicated for God and family, and that means he also give his horses time to relax and enjoy a little freedom—which every man and horses need.

Jerry always treat his horses as if they were human, not a machine, like most people treated them. He would bravely stand for horses’ cruelty, as reflected in his doctrine:

My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and yet do nothing, we make ourselves shares in the guilty.”

Actually I don’t fancy a perfect character, however I chose Jerry here because we can learn quite a lot from his manner. Jerry, for instance, does not like to speed up his cab just because some passengers were late by his own fault. However, when an emergency happened, and a poor woman needed to get as quickly as possible to her mother’s house, Jerry would be pleased to bring his cab at full speed just to give a help to someone need it. From this example, I feel that it’s not only money that Jerry is after for, like what he likes to sing,

“Do your best,
And leave the rest,
Twill all come right
Some day or night”



Jerry always does what he thinks right, and believes that at the end God will take care of him ‘when the time is right’. In this book, and I believe it happens in real life too, something good finally come to Jerry and the family (and Black Beauty too!). What a personage!


The Devil's Identity Revealed: Dorian Gray Chapter III


(p. 40-54)

The third chapter of The Picture of Dorian Gray turned out to be not so full of idea as the first two chapters. Yet, it's still interesting!

What I like…

Nothing impressed me in this chapter, but I kept imagining Lord Henry’s appearance through this chapter. So, I browsed the internet and found one of the actors who had been performing Lord Henry, do you think he reflected his character? I haven’t watched the movie…



What it's all about...

It's mainly contained of conversations from the part of Lord Henry. From his interview with his uncle, it's revealed that Dorian Gray was the grandson of a wealthy Lord Kelso, who had a very beautiful daughter—Dorian's mother—Margaret. The young woman strangely picked a poor man as her husband. Her father detested his son-in-law, he then paid someone to make his son-in-law killed. One year later little Dorian Gray entered the world as beautiful as his late mother who soon died. Dorian grew up under the power of his grandfather.

The second conversation took place in Lady Agatha's, Lord Henry's aunt, where Dorian Gray became one of her 'golden son'. As usual Lord Henry attracted some of his listener with his immoral ideas. Dorian Gray became more fascinated to Lord Henry that he began neglecting Basil, to be with Lord Henry.

My random thoughts...

The devil's identity revealed!
On chapter III, Lord Henry purpose of influencing Dorian became transparent. He deliberately dominated Dorian's mind and soul. I think he was the real devil who was happy to capture a poor soul he could reshape for his own pleasure. L

Between Basil, Dorian Gray and Lord Henry
I just realized one thing. Basil had surrendered himself in the domination of Dorian Gray, without any consciousness from the latter; while at the same time Lord Henry had also captivated Dorian Gray into his power without the victim's consciousness. Isn't that interesting?

Are you wiser?
At the lunch at Lady Agatha's, Lord Henry also talked about the secret of being young (again). It is by making the same follies as we did when we were young; a dangerous suggestion which, of course, fascinated young Dorian just more. I think Wilde would like to remind those who praised youthfulness, that life has its own stages, and that is the most natural process. We made mistakes, and learned from them to be better in the next stage. Only stupid and unwise people who wants to get back to their past, doing things that they know was a mistake. And to me, people who keep doing the same mistakes are they who never grow old (maybe older in age, but not in mind). So, again, people who worship beauty and youthfulness are brainless (just like Lord Henry said before).

What I don't quite get it...

The conversation about American people—especially women—whom they believed had endangered the 'territory' of English women (in the context of marriages). I don't get what Wilde wanted to speak to us in this conversation. Was it really the common social problem at that era? It was certain however, that English people seemed to underrate American.

The characters development

Here the characters were not developed so much, so I will skip this to next chapter!

Wednesday, June 20, 2012

I Would Give My Soul For That: Dorian Gray Chapter II


(p. 22-39)

What I like...

I always like when a book is revealing the beauty of nature. And Oscar Wilde spoiled his readers with many of it throughout this book...

"They rose up, and sauntered down the walk together. Two green-and-white butterflies fluttered past them,..."  

Two butterflies fluttered together..

"...and in the pear-tree at the corner of the garden..."



....a thrush began to sing."



What it's all about...

Despite of Basil's reluctance to introduce Lord Henry to Dorian, faith had interfered that the two of them must meet each other and befriended. Just as Basil afraid of, Lord Henry took no time to influence Dorian's mind about youth, about how terrible it is for human when they became old.

At that time Basil's painting has nearly finished, and when Dorian saw it, he envy it that the picture could stay young while he would grow older. He wished that he could change places with the portrait, and will give everything to make it possible

"How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June..." == (how interesting it is that Dorian Gray’s setting is on the same month when I am reading it! J)

"I would give my soul for that"

At last Lord Henry invited Dorian and Basil to the theatre. And despite of Basil's objection, Dorian insisted to go with Lord Henry.

My random thoughts...

Taking advantage of one's purity
I think both Basil and Lord Henry had somehow taken advantage of Dorian's purity and innocence. Lord Henry, using his language skill, has manipulated Dorian's soul to overly worshiping youthfulness. On the other hand Basil, who became obsessed (somehow related to the art) to Dorian, wished to protect the lad from altering for his own (Basil's) good. It's revealed from what Basil asked Lord Henry at the end of chapter I: "Don't take away from me the one person who gives to my art whatever charm it possesses; my life as an artist depends on him".

Pure beauty = innocence = stupidity
In chapter I Lord Henry has mentioned that beauty = brainless. Perhaps he was right. Don't get me wrong, I think 'beauty' here had little to do with just appearance, but more with innocence or purity. Innocent person is easier to get influenced by others, and the impact of bad influence is often stronger than the good one.

"All influence is immoral"
"Because to influence a person is to give him one's own soul. He does not think his natural thoughts (...). He becomes an echo of someone else's music, an actor of a part that has not been writen for him."

Here Wilde began to emphasize how powerful an influence is to man's soul. We never know how we had said randomly to others will bring impact upon them. On the other hand, it is almost frightening how we could easily be influenced by society out of our consciousness.

I'm curious to know...

What is Lord Henry's real purpose to plant the idea of youthfulness in Dorian's mind? Merely personal satisfaction to ruin one's purity, or is it jealousy to the Dorian's beauty?

The characters development...

Lord Henry -- was not just indifferent to other's feeling, he became wicked too. He purposely influenced Dorian's mind. When Basil asked him (rather) politely to go, he insisted to stay by challenging Dorian: "Am I to go, Mr. Gray?" with (I imagine) a devilish smile.

Dorian Gray -- it's interesting that Dorian's character altered in just one chapter. From his first encounter with Lord Henry, I can see the shy Dorian Gray with his cheek blushing and his shy manner. But after Lord Henry influenced him in one (one!) conversation, his cheek was flushed, not by shyness but by anger, when he thought Basil loved art better than his friend.

It only showed the power of influence in our life! 

Black Beauty Visual Tour: A Classics Challenge June

The June prompt for A Classics Challenge is about Visual Tour. Here is the task:

Sometimes we come across a scene or description that creates such vivid imagery it moves us. Select a quote from the Classic you're currently reading and create a visual tour. 

And here are where my imagination has taken me to from the classic I just finished: Black Beauty by Anna Sewell. [click the image to enlarge]

"The first place that I can well remember, was a large pleasant meadow with a pond of clear water in it..." ~p. 23



"...Some trees overshadowed the pond, and rushes and water-lilies grew at the deep end..." ~p. 23



"At the top of the meadow was a plantation of fir trees; and at the bottom, a running brook overhung by a steep bank." ~ p. 23



"It was a great treat to us to be turned out into the Home Paddock or the old orchard; the grass was so cool and soft to our feet; the air was so sweet, and the freedom to do as we liked—to gallop, lie down, roll over on our backs, or nibble the sweet grass—was so pleasant. Then, as we stood together under the shade of the large chestnut tree, was a very good time of talking." ~p. 40



"I had been driven with a bearing rein by the dealer, and I hated it worse than anything else (...) You, who never had a bearing rein on, don't know what is is; but I can tell you it is dreadful. (...) I like to toss my head about, and hold it as high as any horse; but you can fancy how it would feel if you tossed your head up high and were obliged to hold it there for hours together, not able to move it at all, except with a jerk still higher; and all this time your neck was aging till you did not know how to bear it." ~p. 46



"Dinah's family lived in a small farmhouse up a green lane, close by a meadow with some fine shady trees; there were two cows feeding in it." ~p. 156



"The winter came in early with the great deal of cold and wet. (...) When it is a dry cold, a couple of good thick rugs will keep the warmth in us; but when it is a soaking rain, they soon get wet through and are no good." ~p. 157

horse cab in rain


Tuesday, June 19, 2012

The Victorian London from Sketches by Boz: The Streets & Shops

This is my third post about Victorian London, inspired by Dickens’ Sketches by Boz, for the Victorian Celebration. If this is your first visit, you can find our two previous excursions to Victorian London, where you can find The Amusements of 19th century Londoners in one of them, and come to learn The Occupations of Londoners at that era, in the other. Today I will take you to see few famous Streets of 19th century London, as well as Shops where mid-class Londoners used to spend their money at. Here they are… [click the picture to enlarge]

The slum district of Seven Dials

Henry Rushbury  Seven Dials, London in 1744 circa 1930 [source]

Seven Dials is a small but well-known road junction in the West End of London in Covent Garden where seven streets converge. At the centre of the roughly-circular space is a pillar bearing six (not seven) sundials, a result of the pillar being commissioned before a late stage alteration of the plans from an original six roads. [wiki]. However, in the early of 19th century, Seven Dials became a slum district of London, which Dickens described as:

“The stranger who finds himself in the Dials for the first time...at the entrance of seven obscure passages, uncertain which to take, will see enough around him to keep his curiosity and attention awake for no inconsiderable time...” ~p. 69.

Dudley St., Seven Dials, 1872 [source]


Second hand wearing apparel shops in Monmouth Street

In 19th century, Monmouth Street is famously known as the emporium of second hand wearing apparel. In this chapter, Dickens specifically brought our imagination to what had happened in a second hand shoes store. But for now, let us entertain ourselves with this picture of a second hand clothes store:

source


Pawnbroker shop


Pawnbrokers, referred to as ‘uncle’, were the poor person’s bank. Clothing and jewellery were handed over in exchange for a loan. If the loan was not repaid within a year, ‘uncle’ could sell the goods. By 1900 there were 700 pawnbrokers in London. Forfeited articles for sale in this window include Sunday best clothing, wedding gifts and ornaments. [source]

the counter in a pawnbroker shop

If you look at the image, the counter at the customer side are divided into several small sub-counter, separated each other with partition. It is built like that to give privacy for people who don’t want others to know that they had a transaction in pawnbroker shop (who knows the guys next to them are their acquaintances?). Pawnbroker shops usually have two entrances. The front one was for shoppers who wanted to buy the sold goods in fair price, the back entrance was for customers who wanted to exchange their belongings for some loan.


The front entrance of pawnbroker shop with its glass window display

Maybe George Cruikshank illustration for Sketches by Boz can reflect the more real atmosphere inside a pawnbroker shop...



Oyster shops

In the 19th century, there were three oyster capitals in the world: London is one of them, with Paris and New York as the others.

I found this in a blog post about oyster shop in 19th century in London: “Astonishing though it is now, at the beginning of the 19th century oysters were cheap and very much a working class food. I suppose the change must have been well underway when Sheeky's oyster bar opened at the end of the 19th century. Joseph Sheekey was the market stall-holder who in 1893 was graciously allowed by Lord Salisbury to sell fish and shellfish on his new manor of St Martin's Court, provided he served meals to Salisbury's theatre-going pals. These days its reputation seems a little variable.” [source]

The front of an oyster shop looked perhaps like this: 

The Whistling Oyster [source] 

And this was a stall selling oysters.




Gin shops

A gin palace is an English name originally for a lavish bar selling gin, later transferred by association to late Victorian pubs designed in a similar style. In the 18th century, gin shops or 'dram shops' were just small shops (often originally chemist's shops as gin originally had medicinal associations) that sold gin mostly to take away, or to drink standing up. In the late 1820s the first 'Gin Palaces' were built, Thompson and Fearon's in Holborn and Weller's in Old Street, London. They were based on the new fashionable shops being built at the time, fitted out at great expense and lit by gas lights. They were thought to be vulgar at the time, although hugely popular. [wiki]


From Sketches by Boz:  “The gin-shops in and near Drury-Lane, Holborn, St. Giles's, Covent-garden, and Clare-market, are the handsomest in London. There is more of filth and squalid misery near those great thorough-fares than in any part of this mighty city.” For his sketch, Dickens picked a large bar in Drury Lane as a setting of a gin shop.

... All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left.

The Dram-drinker by Kenny Meadows [source]

From both images, I see that children are allowed to be in gin shops with their parents! What a bad habit they had already been introduced in their young age!


Drury Lane

Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. In the 17th century it was the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia, but by the 18th century Drury Lane had become one of the worst slums in London, dominated by prostitution and gin palaces. [wiki]


I especially picked Drury Lane among other streets, because this street appeared quite often in Dickens’ sketches. The scenes of both gin shop and pawnbroker shop were located in Drury Lane, and the story in which Dickens described about oyster shop had also mentioned Drury Lane (but it’s not the oyster shop’s location).

Louis Rayner [source] 

Note: In the process of searching an image of Drury Lane, I came across this site which is exhibiting the paintings of Louise Rayner. The theme is about 19th century London, and they are all very beautiful!!! Louise can picture the scene as if we are there ourselves. So, before we end our today’s outing, let me take you to London on 19th century through these lovely pictures….

Don’t forget, next week is our last outing to Victorian London. I will prepare some means of transportations so that you don’t have to tiring yourself during our excursion J. See you next week!